‘Normal is Boring

Sibiling Power at IFFI

THE FUTURE IS IN THE PAST

An Obsessionist’s take on IFFI’s Evolution

Through the Prism of Time

Why India Attracts Foreign Filmmakers

Countdown Starts For Commercial Carnival

Film In India

The OSCAR RACE begins HERE…

India Stand No. 19 Get the Best Out of Toronto

Seven Indian Indie Filmmakers To Watch

Indian Cinema Of Today: A Culturally Responsive Artifact

Indie Resurgence

Four Indian Films at the Toronto International Film Festival 2019

Made in Afghan Film ‘Hava, Maryam, Ayesha’ To Compete at Venice Festival

Keerthy Suresh: The Mahanati of Mahanati. Best Actress, National Film Award

66th National Film Awards Winners for 2018

Making a Song and Dance of it

NFDC Invites Applications for Production of Films in Indian Languages; Deadline September 8, 2019

IFFI Calls for Entry for Indian Panorama in 50th Edition

Shooting Permission From Central Bodies

Film Cities of India

Priyanka Chopra’s The Sky is Pink Set to Premiere in 2019 Toronto Internaitonal Film Festival’s Gala Section

76th Venice International Film Festival to Open With Hirokazu Kore-eda’s ‘The Truth’

Indian Cinema’s Soft Power Misses the Mark in Nirmala Sitharaman’s Maiden Budget Speech

Shahid’s Kabir Singh Becomes Top-Grossing Film of 2019

Indian Cinema’s Steady Rise on Global Stage

Glimpses of the future

IFFI Marching Towards 50th Edition

A Compelling Spread

Cannes or Netflix? Is Netflix an acceptable remediation for Cannes’ decades-long little regard for Indian Cinema?

Cannes Film Market: Sixty Shining Years

Jim Jarmusch’s ‘The Dead Don’t Die’ to Open Cannes Film Festival

Zee Studios Sets Cash Register Ringing, Collects Rs 375 cr Worldwide

2019 TIFF Filmmaker Lab, Deadline for Application June 7

Annecy Festival Announces its Jury

France To Be Country Of Honour at MIPTV 2019

SPROCKIT Announces First Round of Startups at NAB SHOW 2019

Future of In Vehicle entertainment at NAB SHOW 2019

SPROCKIT Announces First Round of Startups at NAB SHOW 2019

Malayalam Films in 2019

Bengali Films in 2019

A Heady Potion Of Entertainment

A bold and Unflinching Look at a society in Strife

Women To The Fore

Twenty 2019 Films We Cannot Wait to Watch

From Rap to Resistance

Dieter Kosslick Last Hurrah

Blockchain set to Transform M&E future

Netflix Crime Drama: Precision is the Craft that is on Show in Soni

Udita Bhargava’s Dust in Berlinale’s Perspective Pick

Retrospective 2019 – “Self-determined. Perspectives of Women Filmmakers”

Cinema as an Art Form Will Survive: Dorothee Wenner

Berlinale 2019 — Norway will be the EFM “Country in Focus”

Is the Future Here?

The Magic of ‘Madness’

A Craftsman and Storyteller Par Excellence

India’s Academy Award Hopeful :The Tale of a Village 

Lessons from AFM 2018 : A Mecca for Independent Filmmakers 

IFFI 2018: Veteran Israeli Director Dan Wolman Honoured With Lifetime Achievement Award

Goa a hot Favourite for Filmmakers

A Quest for Cinema’s Soul

Indian Panorama: A Pack of Talent & Stories

Sandhya Suri’s The Field Wins Best International Short Film Prize at TIFF 2018

Vasan Bala’s The Man Who Feels No Pain wins People’s Choice prize at Toronto International Film Festival

TIFF 2018 Award Winners. Top winner is Peter Farrelly’s Green Book

What to Look For at American Film Market 2018

India is World’s Most Film Passionate Country

Toronto International Film Festival: All Set for a Gala Show

Indian Films in TIFF 2018

Risk-Taking, Tech and the Power of Diverse Storytelling to be Debated at TIFF Industrty Conference

Toronto Film Fest Facts: 343 Films, 83 Countires, 3,100 Pounds of Popcorn Kernel

TIFF’S 2018 Master Slate Shine With new Works by International Legends

TIFF Discovery Programme Unveils Rich Lineup

Mira Nair Joins Toronto Platforms Jury

Democracy, Cultural Histories to be Discussed at TIFF

Vijay’s Mersal to Release in China

104 Best Indian Films of the New Millennium

LONE RANGERS: Best Indian Films of the New Millennium

MAVERICK MOVES: Best Indian Films of the New Millennium

Veteran Chinese Director Zhang Yimou to get Lifetime Achievement Award at Venice Film Festival

Priyanka Chopra Begins The Sky Is Pink

Karunanidhi: A Great Scriptwriter, Poet & Patron

Greatest Strength of Indian Films in Emotions: Avtar Panesar

Understanding The Rise of Subscription Economy

Transforming Marketing Models is Top Priority: Accenture

Anjali Sud and the Growth Story of Vimeo

All in the Family

India at its Heart, Blockbuster Breaks Many Rules in China

Netflix Announces Original Series on Prequel to Baahubali

Everything Canadian at TIFF 2018

2018 Toronto Film Fest LineUp

India Shines in Toronto Film Festival 2018 Picks

What to Look For at American Film Market 2018

The Elevating Effect of Real Life Drama: Dr. S Raghunath

National Film Awards 2017: When Small Scored BIG

A Good Show on the Anvil

Chef Vikas Khanna Serves Up his First Feature Film

Building Brand Telangana Through Cinema

Are Multiplexes Temples of Cinema or Churches of Ads and Snacks?: Pierre Assouline

Speaking Marathi at Cannes

Saudi Arabia to make a Debut at Cannes

No Indian Film Should be Tagged as Regional Film: Adoor Gopalakrishnan

Netflix Films won’t Feature at Cannes

Asghar Farhadi’s ‘Everybody Knows’ to Open Cannes Film Festival

In China, Aamir Khan’s Secret Superstar Makes History

Future Belongs to   Independent Films

Transparency at Core of Vista”s Business Practices

The Focus is on  Past  Winners

Indian Cinema On A Global Journey At EFM

Rakesh Roshan: The Reinventor of Bollywood

The Complete Hero

Rajinikanth: An unmatched Phenomenon

Our Strength is Emotions : Avtar Panesar

50 FILMS That Changed Bollywood — As Shubhra saw it…

Will OLU be India’s Comeback Film at Cannes 2018

Make a Move to Maharashtra

Blurring The Lines Between Real and Virtual Worlds

Blockchain, Diversity, Virtual Reality, Artificial Intelligence – the Future in Focus at EFM

Weaving Magic with Music

Rehman Sings New Tune: VR The World

Blurring The Lines Between Real and Virtual Worlds

Advantage Arunachal Pradesh

3Beep, Big Leap

“Books at Berlinale” — Twelve International Novels With Screen Potential

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