France will be at the centre of MIPTV 2019 through a series of conferences and promotional events dedicated to France’s TV industry. In September, France’s export promotional association TV France International reported impressive figures for French TV programming in foreign markets for 2017, with total revenue of 325 million euros – the second-best performance in the past 20 years. French exports go well beyond Europe with a notable increase in the United States and Canada, up 16% last year.
While overall international sales have doubled over the past eight years, French animation confirmed its leading position, thanks to the globally acknowledged expertise of Gallic producers. Animation accounted for 37% of total export revenue.
Meanwhile, the documentary genre recorded its second-best performance in 10 years, while foreign sales of drama series has known a record year with a 28% increase over 2016. More and more French-made series of all kinds are traveling the world, reaching international audiences. Series like “Le Bureau des Légendes” (The Bureau) or “Midnight sun” (TV France Export Prize 2018) are paving the way to other consistent successes of drama series like long running “Candice Renoir”, Sci-fi “Missions” or political fare “Baron Noir”.
France is consistently among the leading delegations at MIPTV, with 535 companies and 1,420 participants at the 2018 edition. French exhibiting companies already signed up for MIPTV 2019 include: About Premium Content, Ampersand, ARTE France, Banijay Group, Canal+ Groupe, Cinekita, Cofites, Cyber Group Studios, Eurodata TV Worldwide, Federation International, France Televisions Distribution, Free Dolphin International, Futurikon, Gaumont, Lagardère Studios, Lagardère TV, M6 Metropole Television, Mediatoon Distribution, Mediawan, Millimages, Newen Distribution, Novocomedy Productions, Orange, PGS Entertainment, Prime Entertainment Group, Superights Invest, TF1 Studio, Thema, Trace Global, TV France International, Viz Media Europe, Webedia Rights, Wild Bunch, Xilam Animation, and ZED.
“This year’s MIPTV Country of Honour programme will showcase the incredible creativity of France’s television industry. No other event brings together so many of France’s leading television executives to address delegates from over 100 countries, and as a French company, Reed MIDEM is proud to play its part in the promotion of French television around the world,” comments Laurine Garaude, Director, TV Division, Reed MIDEM, which organises MIPTV.
FRANCE COUNTRY OF HONOUR PROGRAMME OF EVENTS:
. Game Changers Keynotes – Monday 8 & Tuesday 9 April
. The French Touch MIPTV Opening Party – Monday 8 April 21.00 – Carlton Hotel, Sponsored by Banijay
. A Global Overview by Eurodata TV Worldwide – Tuesday 9 April – 14.15
. Focus on Kids – Tuesday 9 April – 14.30
. Focus on Drama – Tuesday 9 April – 15.45
The French keynotes so far confirmed are:
Delphine Ernotte Cunci, President of the public broadcaster France Télévisions. She began her career with France Télécom, rising from financial analyst to Managing Director of the group, now called Orange. In 2015, Ernotte Cunci was appointed president of France Télévisions, the first woman to hold this post. The state broadcast group operates six national networks and a string of international and theme channels, plus TV and film production entities and the international sales arm, France Télévisions Distribution.
Gilles Pélisson, Chairman and Chief Executive Officer of TF1 Group, France’s leading free-to-air network, since 2016. In 1995, he became CEO of Eurodisney before being appointed Chairman and CEO in 1997. In 2000, he headed up the management team at the Suez-Telefonica consortium ST3G, and became non-executive Chairman at Noos, France’s leading cable network. Gilles Pélisson joined Bouygues Telecom in 2001 as CEO and was appointed Chairman & CEO in 2004. In 2006, he became CEO and a Board member of the Accor group before being appointed Chairman and CEO in 2009, a position he held until 2011. Until 2016, Gilles Pélisson held non-executive directorships in a number of listed multinationals: Bic (Paris), NH Hotels (Madrid) and Accenture (New York).
Maxime SAADA, Chairman and CEO of France’s leading pay-TV and media company, CANAL+ Group, and Chairman & CEO of online video platform Dailymotion. Saada joined CANAL+ in 2004, becoming MD in 2015. Last year, in addition to his current position, he was appointed President of the group’s movie and TV production and distribution unit, STUDIOCANAL. CANAL+ Group, which operates premium, free-to-air and theme channels, has a high international profile, with pay-Tv operations in Europe, Africa and Asia totaling 16.2 million subscribers worldwide.
Régine Hatchondo, Director-General of ARTE France, the French half of the Franco-German cultural broadcast group ARTE. Hatchondo has a long career in the French audiovisual industry, including spells as head of the Forum des images in Paris, the Cannes Film Festival’s sidebar Directors’ Fortnight, and the French film promotion and export body UniFrance. She has also worked as an advisor on cultural and media affairs for the City of Paris and former Prime Minister, Manuel Valls.
Stéphane Courbit, Marco Bassetti, and François de Brugada of the Gallic-based production and distribution powerhouse, Banijay Group, will share the stage together. Chairman of Banijay, Courbit, began as an independent producer before merging his company to form Endemol France in 1998. He later created Banijay Group, today the world’s largest independent production and distribution company with annual revenue of around €1 billion. He will be interviewed alongside CEO, Bassetti, a leading entrepreneur renowned for founding Endemol Italy before becoming President and CEO of Endemol Group; and CEO of Banijay France, De Brugada, who has long and successfully led France’s most prevalent production business – Banijay France.
Another joint keynote interview will feature Pascal Breton and Patrick Wachsberger, the duo behind the new joint-venture Picture Perfect Federation, dedicated to the production of premium TV series for the US marketplace and international coproductions. Breton co-founded French independent producer Marathon in 1990 (“St Tropez”). He founded Federation Entertainment in 2013, and recently joined forces with Picture Perfect Entertainment, the production banner of Wachsberger, Co-Chairman of the Lionsgate Motion Picture Group for the past six years, and oversaw the critically-acclaimed breakout hit “Wonder” and the global box-office phenomenon “La La Land”.
These keynotes are all scheduled on April 8 and 9. French audiovisual creativity will be showcased throughout MIPTV as part of the Country of Honour programme, with premiere screenings and promotional events.
Highlights
IFFI 2020 Adopts Hybrid Online-Physical Edition
Ishaan Khatter looking ‘beyond clouds’ with promising upcoming projects
Uday Shankar forms New Tech and Media Venture with James Murdoch
CII Seeks Industry Status for M&E in Union Budget
15 Films Compete for Golden Peacock at #IFFI51
Top IFFI Picks: Another Round, Mehrunisa, Wife of A Spy
Hybrid IFFI From January 16
51st IFFI Will Capture New Narratives in Cinema
CII BIG PICTURE SUMMIT 2012: Growth Triggers From Ronnie
What Media Guru Amit Khanna Said in CII BIG PICTURE SUMMIT 2012
LATAM Market Ventana Sur from November 30
Blue Efficience Roped in For Ventana Sur
Films to watch @ Ventana Sur
India Rolls out Red Carpet to Foreign Filmmakers
Ramesh Sharma’s New Documentary Film on Gandhi at AFM
The Warrior Queen of Jhansi at AFM
With Film Visa, Global Producers Can Now Shoot in India
www.cinemarket.io – Buy, Sell & Engage
Embracing Cinema Through Screens of all Sizes
Nomadland wins People’s Choice at Toronto
MIPCOM 2020 Goes Entirely Online
South Korea will be MIPCOM 2020 country of honor
India, the Window of Opportunity
Get Ready for Hybrid IFFI
Film Making Centres of India
Get Your Film Take Wings at Virtual Film Bazaar
Make at least Ten co-productions in a year
Filmmakers Should Make use of India-Canada Treaty
TIFF: The Show and Business Goes on
Navigating Toronto Film Festival and Industry
Make in India, Show the World
Be Part of the Pickle India Focused Toronto Edition
ads2OTT set to Launch in Oct 2020
MovieSaints to release Memories of a Forgotten War
Truth Is Dead
Submissions Open For Berlinale Co-Production Market
Gender Equality-Berlinale Eliminates Silver Bear for Best Actor and Best Actress
All3Media, A+E Networks, BBC Studios, ZDF Join MIPCOM 2020 Global UPFRONTS Lineup
NürnbergMesse’s Content India Show from October 29-31
Berlinale 2021 Will be a Physical Festival; EFM in Hybrid Format
Best of 2020: A Dazzling Dozen
Striking the Right Chord
India Unbound
20 Films That Make us Believe Freedom is Priceless
Krishna Janmashtami Special
National Education Policy: Game Changer
18 Must-See Films at Venice 2020
Ayushmann Turns Athlete
Indian Trio in Venice
Blockchain: The Future is Now
Not right time to open cinema halls: Ravi Kottarakara
Meet, ERICA. AI Actor in a SCI-FI Film
Vidya Balan Set to Shine as Shakuntala Devi
Straight Answers From Alexander Shulgin
Content is king for Saregama’s Yoodlee
Nuggets From Animation Thought Leaders
NYIFF Takes Virtual Route
From The Heart Of Disney
New Model of Filmmaking in India
My Journey: How I Did It
Animation in the Age of Art & Tech
Gaurav Banerjee: Star Unveiled
FDI cap of 26% for News Aggregators Under Consideration
The Changemaker
COVID-19 has Accelerated Digital Shift Towards Across Sectors
No Business as Usual for Film Industry
What’s Wrong With our News Media Today ?
The Fire Inside Regina
Gaming Industry Braves Covid
Disney +Hotstar Leads the Disruption
Taapsee’s takes on OTT, Nepotism & Covid
Oscar Invites QUBE’s Senthil Kumar to be its Member at Large
What’s New Search Engine Neeva Can Do That Google Cannot?
The New Oscar Award Date April 25, 2021
India to Offer Incentive Package for Film Shoots and Co-Production
Strings of Genius
A Ray That Still Lights The Way
Best of the Cannes Official Selection 2020 Films
Most Awaited Films of India
56 Films: Cannes Reveals 2020 Lineup
The Making of Cannes 2020 Film Selection Process
Cannes Virtual Film Market Extends Earlybird Registration to June 12
Take a Look at Annecy Competition Lineup
Getting Back to Business, Reveals Media Consumption Pattern
Cannes 2020 to Announce Festival Selection Lineup on June 3
20 Work in Progress Tiltles Unveiled for Goes to Cannes
Annecy VR Works Selections for Digital MIFA Market
Film Bazaar’s Work in Progress Films from India Goes to Cannes Virtual Market
Navigating Virtual Cannes Film Market 2020
Meet the Streamers: HBO Max & Quibi Keynotes at Cannes Virtual Film Market
Dedicated Cannes XR Virtual Edition from June 24-26
Screen Moms; Best Movies to Stream on Mother’s Day
Vijay Deverakonda: The Lovable ‘Rowdy’
Sai Pallavi: Natural Beauty is a Natural Actor Too
Cannes Virtual Film Market Registration Opens May 13
COVID-19: Nuggets from Netflix’s Ted Sarandos on Filming and Safety Protocols
Maitreyi Ramakrishnan is New Sensation in Netflix Original Series Never Have I Ever
The Best Movies of 2001-2019 Not Streaming in OTT Platforms
Best Movies of the New Millennium Streaming Now
Best Movies of the New Millennium Streaming Now
Best Movies of the New Millennium Streaming Now
Best Movies of the New Millennium Streaming Now
Best Movies of the New Millennium Streaming Now
Annecy Unveils Virtual Film Festival and Market in June
Roskino to Host Russian Virtual Digital Content Market from June 8
27 Rishi Kapoor Films to Stream at Home Now
Virtual Nab Show Express will Take Place May 13-14, 2020
51 International Film Festival of India, Goa ( 20 -28 November, 2020)
Films to Watch in 2020
Christopher Nolan Films Tenet in Mumbai
A Call From Uttarakhand For Filmmakers Of The World
FFO Rolls Out Red Carpet For Foreign Filmmakers
INDIA@BERLINALE-Indian Cinema’s Voices Emerging
51st IFFI TO Mark Satyajit Ray’s Centenary Celebrations
Infusing Life With Dubbing AT VR Films & Studios
Sailing well in Animation Waters
Berlinale 2020: India’s Laila Aur Satt Geet Selected for ‘Encounters’ Section
Prateek Vats’ Eeb Allay Ooo! in Berlinale Panaroma
Berlinale Shorts: Ekta Mittal’s ‘Gumnaam Din’ to showcase of pain of separation
Berlinale Talents: Seven Indians Make It to the List
My Salinger Year is the Opening Film at 70th Berlinale
GET READY for EUROPEAN FILM MARKET 2020
BERLIN FILM FESTIVAL 2019 WINNERS
Berlinale Forum Celebrates Golden Jubilee in 2020
Berlinale 2020 Poster Unveiled
British Actor Jeremy Irons Will Be the Jury President of Berlinale 2020
Amit Khanna: The Renaissance Man
Fantastic Friend
THE MEDIA GURU-AMIT KHANNA
STRAIGHT ANSWERS FROM AMIT KHANNA
THE DEFINING DECADE -THE 1990s
10 Achievements of Amit Khanna
Reflections on Amit Khanna
Valuable Moments
India Enchants John Bailey
The Big Bachchan of Bollywood
ETERNAL SUPERSTAR: RAJINIKANTH
IFFI 50 & Fantastic-Lifetime Achievement Award to Isabelle Huppert
INDIA’S FLAGSHIP FILM FESTIVAL TURNS 50
BACK IN BUSINESS WITH A BANG
GET THE BEST OUT OF FILM BAZAAR 2019
Transforming Hollywood from pixels to voxels
Government of India committed to Safeguard IP content: Commerce Secretary
Must do Things at AFM
Why India Attracts Foreign Filmmakers
Pickle at MIPCOM 2019
INDIAN COMPANIES AT MIPCOM
Super Audio: Licensed to Thrill
Jungle Book Season 3 Ready
Issuance of VPL in India
Editor’s Note: 44th Toronto International Film Festival Pickle Sept 2019 Edition
The OSCAR RACE begins HERE…
Seven Indian Indie Filmmakers To Watch
Indian Cinema Of Today: A Culturally Responsive Artifact
Indie Resurgence
Indian Films At Toronto a Sparkling Quartet
IFFI Matters @ 50
Four Indian Films at the Toronto International Film Festival 2019
India Pavilion at Toronto International Film Market 2019
Made in Afghan Film ‘Hava, Maryam, Ayesha’ To Compete at Venice Festival
Keerthy Suresh: The Mahanati of Mahanati. Best Actress, National Film Award
Uttarakhand Bags National Award for Most Film Friendly State
66th National Film Awards Winners for 2018
Watan Adds Colour to Indian Independence Day
dream hampton and Brie Miranda Bryant to Feature in MIPCOM’S Women in Global Entertainment Lunch 2019
Making a Song and Dance of it
NFDC Invites Applications for Production of Films in Indian Languages; Deadline September 8, 2019
IFFI Calls for Entry for Indian Panorama in 50th Edition
Ease of Filming in India
Come, Film In Inida
Why TikTok wants to invest $1 billion in India?
Priyanka Chopra’s The Sky is Pink Set to Premiere in 2019 Toronto Internaitonal Film Festival’s Gala Section
Gitanjali Rao’s Animation Feature Bombay Rose to open Critics’ Week at Venice International Film Festival
76th Venice International Film Festival to Open With Hirokazu Kore-eda’s ‘The Truth’
Indian Cinema’s Soft Power Misses the Mark in Nirmala Sitharaman’s Maiden Budget Speech
Shahid’s Kabir Singh Becomes Top-Grossing Film of 2019
Finance Minister Proposes FDI Norm Relaxation in Media
Media & Entrtainment as Champion Sector Figures in the Economic Survey 2018-19
Indian Cinema’s Steady Rise on Global Stage
Glimpses of the future
IFFI Marching Towards 50th Edition
Cannes or Netflix? Is Netflix an acceptable remediation for Cannes’ decades-long little regard for Indian Cinema?
Play Small & Live Long Did Wonders for Me
Toronto International Film Festival: All Set for a Gala Show
IFFI Spectacle Enthrals @50
Shooting Locales in India – Goa
Pickle November AFM Issue 2019