Shooting Locales in India – Bihar

By Pickle  July 29, 2019

Bihar lies mid-way between the humid West Bengal in the east and the sub-humid Uttar Pradesh in the west which provides it with a transitional position in respect of climate, economy and culture. Serving as the backdrop of films like Gangs of Wasseypur and Manjhi: The Mountain Man, Bihar has a thriving film industry. The government is also developing a film city at Rajgir in Nalanda district, 70 km southeast of Patna

Incentives offered by Bihar

  • Films made in state languages and 75% shot in Bihar with 50% technicians from Bihar will get 25% of production cost or INR10 million whichever is less.
  • Hindi films 50% shot in the state with 25% Bihari technicians will get 25% of production cost or INR20 million whichever is less.
  • Special grant of INR1 million to producers if the film gets any international recognition.

Initiatives taken

  • Department of Tourism (DOT), government of Bihar is the nodal agency for film shooting clearance, incentives and subsidies in the state.
  • Bihar State Film Development and Finance Corporation Ltd (BSFDFC) facilitates film shooting in the state and introduced its film policy in 2016 to support regional, national and international films alike.
  • BSFDFC promotes film production by co-producing projects involving public-private partnerships.
  • It also promotes film making by organizing film festivals and film making workshop such as Bihar International Film, Festival, Patna Film Festival, Regional Film Festival, Gandhi Panorama Film Festival.

Shooting Locales

Bodh Gaya

Patna

Nalanda

Madhubani

Rajgir

Vaishali

Muzzafarpur

Bhagalpur

Pawapuri

Lauria Nandangarh

Valmiki National Park

For More Information Contact
D. K. Singh, Consultant, Bihar State Film Development and Finance Corporation
Tel: 0612-2219213
Email: biharfilmnigam@gmail.com
State Website: http://yac.bih.nic.in

Write a Reply or Comment

Your email address will not be published. Required fields are marked *

Highlights



Indian Cinema’s Steady Rise on Global Stage

INDIA’S FLAGSHIP FILM FESTIVAL TURNS 50

BACK IN BUSINESS WITH A BANG

CHRISTOPHER NOLAN FILMS TENET IN MUMBAI

GET THE BEST OUT OF FILM BAZAAR 2019

Infusing Life With Dubbing AT VR Films & Studios

Transforming Hollywood from pixels to voxels

Government of India committed to Safeguard IP content: Commerce Secretary

Must do Things at AFM

Why India Attracts Foreign Filmmakers

Architect of AMAZEMENT

Pickle at MIPCOM 2019

INDIAN COMPANIES AT MIPCOM

Super Audio: Licensed to Thrill

Jungle Book Season 3 Ready

Sailing well in Animation Waters

Issuance of VPL in India

Editor’s Note: 44th Toronto International Film Festival Pickle Sept 2019 Edition

The OSCAR RACE begins HERE…

Seven Indian Indie Filmmakers To Watch

Indian Cinema Of Today: A Culturally Responsive Artifact

Indie Resurgence

Indian Films At Toronto a Sparkling Quartet

A Call From Uttarakhand For Filmmakers Of The World

IFFI Matters @ 50

Four Indian Films at the Toronto International Film Festival 2019

India Pavilion at Toronto International Film Market 2019

Made in Afghan Film ‘Hava, Maryam, Ayesha’ To Compete at Venice Festival

Keerthy Suresh: The Mahanati of Mahanati. Best Actress, National Film Award

Uttarakhand Bags National Award for Most Film Friendly State

66th National Film Awards Winners for 2018

Watan Adds Colour to Indian Independence Day

dream hampton and Brie Miranda Bryant to Feature in MIPCOM’S Women in Global Entertainment Lunch 2019

Making a Song and Dance of it

NFDC Invites Applications for Production of Films in Indian Languages; Deadline September 8, 2019

IFFI Calls for Entry for Indian Panorama in 50th Edition

Ease of Filming in India

Come, Film In Inida

Why TikTok wants to invest $1 billion in India?

Priyanka Chopra’s The Sky is Pink Set to Premiere in 2019 Toronto Internaitonal Film Festival’s Gala Section

Gitanjali Rao’s Animation Feature Bombay Rose to open Critics’ Week at Venice International Film Festival

76th Venice International Film Festival to Open With Hirokazu Kore-eda’s ‘The Truth’

Indian Cinema’s Soft Power Misses the Mark in Nirmala Sitharaman’s Maiden Budget Speech

Shahid’s Kabir Singh Becomes Top-Grossing Film of 2019

Finance Minister Proposes FDI Norm Relaxation in Media

Media & Entrtainment as Champion Sector Figures in the Economic Survey 2018-19

Glimpses of the future

IFFI Marching Towards 50th Edition

India – Revolution Over The Top

Cannes or Netflix? Is Netflix an acceptable remediation for Cannes’ decades-long little regard for Indian Cinema?

Play Small & Live Long Did Wonders for Me

A Quest for Cinema’s Soul

Ssoftoons Entertainment Media

Fametoonz Pvt Ltd

Vision Productions

India-Poland Audio Visual Agreement

Company



About Us

Contact Us

Connect With Us