With the main motive being exchanging of ideas and strengthen the film community, the 12th edition of the Ventana Sur will organise as many as 50 conferences.
The conferences will address the new trends in storytelling in the face of the restructuring of the industry with the emergence of various digital platforms that promote new roles for authors and new trends in content creation.
Digital platforms are gaining momentum due to the momentum and it has a great impact on the Latin America and Europe.
Amazon Prime Video, one of the leading OTTs in the global market, has achieved an interesting positioning in Latin America based on original productions and strategic alliances. For its part, Netflix, the global giant SVOD, is working on two fronts to continue growing: complications for production and the incentive for consumption, a specific paradox that arises in a pandemic.
Co-productions have intensified, and stories based on real events, thrillers, travel shows, kids and factual stories are growing. In addition, the “Covid-proof” formats in the entertainment world are gaining relevance. How is the return to production in Covid’s time and what are the new business models and future perspectives of the audiovisual markets? The particularities of four major markets in the world: America, Europe, the Middle East and the Far East.
Funding around the world: we are presenting an overview of the numerous funding opportunities from research conducted by Projeto Paradiso, Brazilian Content and Cinema do Brasil together with LatAm cinema. We will look at institutional innovations in the framework provided by Covid-19 and new proposals linked to current public policies.
The section of panels, included in the category of animation, challenges us with a series of ideas and strategies related to the development of characters as crucial elements of the narrative. After all, a powerful story needs strong, multi-faceted characters who are kind to the audience. In this sense, Masha and The Bear, the Russian series that represents a success story and its own creators participate in Ventana Sur, where they tell us first-hand how the process of development and realization of the project went. The same is true of Rick and Morty, the American animated television series.
Another great axis has to do with the inclusion of women and non-binaries in an industry that is going through falling mandates and structures. It is about unmasking harassment and bullying, hearing the voices and giving prominence to Latin American collectives that, through different actions, seek to generate changes to safeguard the integrity and ensure the equality of female and male workers. That is why we are investigating the protocols to change the work culture and exchange perspectives, strategies and challenges
This has opened a new scope in the audiovisual content consumption as the digital media has become a battleground of the giants.
With all these changes it is become imminent that a discussion on these developments should be held to get a clear picture of the future.
These conferences will also create opportunities to develop the maximum potential, radicalize filmmaking from its storytelling and aesthetic proposals. This will ensure that the audience get a far more better experience.
Locarno Film Festival managed a positive performance in terms of both audience participation – online and in theaters – and international attention from professionals across the sector and worldwide
The Locarno 2020 hybrid edition was planned as a concrete response to the difficulties facing the film industry as a result of the pandemic. An edition born out of the global crisis which forced the Locarno Film Festival to reinvent itself for 2020.
Locarno Film Festival is one of the world’s longest-running annual film festivals and focuses on auteur cinema.
Two female gazes, stretching from Switzerland to Argentina, have won the Pardi 2020 awards – each worth 70,000 Swiss francs – for productions halted by the COVID-19 crisis. The international jury for The Films After Tomorrow – made up of Nadav Lapid, Lemohang Jeremiah Mosese and Kelly Reichardt – picked out Chocobar, by acclaimed Argentinian filmmaker Lucrecia Martel, a political documentary that takes its cue from the murder in 2009 of land rights activist Javier Chocobar to investigate aspects of colonization and native culture.
In the international selection the Campari Award, a special jury prize worth 50,000 Swiss francs, went to the film Selvajaria (Savagery) by Miguel Gomes, freely adapted from the novel Rebellion in the Backlands by Euclides da Cunha, an account of the late 19th century military campaign of the newly formed Brazilian Republic against the tiny settlement of Canudos. The Swatch Award for the most innovative project (30,000 Swiss francs) was won by De Humani Corporis Fabrica (The Fabric of the Human Body) by Verena Paravel and Lucien-Castaing Taylor, a political and philosophical documentary on the delicate issues of bioethics raised by new technologies in medicine.
President Marco Solari said: “Our main objectives have been achieved. Thanks to the projects developed by the Artistic Director, the Chief Operating Officer and their teams, we have managed to send out a clear message of solidarity with the film industry. Putting our programming online has been a huge incentive for digitalization of the Festival. Lastly, with the re-opening of three movie theaters, we have consolidated our rapport with the local public.”
Artistic Director Lili Hinstin, who in this second year of her mandate developed the basic concept of Locarno 2020 – For the Future of Films, commented: “It has also made us reflect about the future of the cinema, because it showed that screenings in theaters and VOD or streaming are not necessarily in conflict, but can co-exist together, with both experiences encouraging viewers to discover films away from the usual mainstream track.”
Chief operating officer Raphael Brunschwig said the COVID-19 crisis had sped up the move towards going online and Locarno hopes to become “the model of a film festival that looks to the future”. During the August 5-15 festival, some 5,950 people saw films in Locarno indoor cinemas reopened after the coronavirus lockdown.
But 320,000 visits were made to the festival’s digital platform, where full length movies, short films, masterclasses, panel discussions and talks were made available online. This included 80,000 views of films screened and original festival content.
The 74th Locarno Film Festival will take place from 4 to 14 August 2021. The complete list of award winners is as follows:
The Films After Tomorrow – International selection
The jury for the international selection, made up of Nadav Lapid, Lemohang Jeremiah Mosese and Kelly Reichardt, awarded the following prizes:
Pardo 2020: for the production of the film, to the best international project (70,000 Swiss francs)
CHOCOBAR by Lucrecia Martel, Argentina/USA/Denmark/Mexico
Campari Award: special jury prize (50,000 Swiss francs)
SELVAJARIA (Savagery) by Miguel Gomes, Portugal/France/Brazil/ Chine/Greece
Swatch Award: for the most innovative project (30,000 Swiss francs) and the opportunity to design a limited-edition Swatch which will be the official watch of Locarno74
DE HUMANI CORPORIS FABRICA (The Fabric of the Human Body) by Verena Paravel and Lucien Castaing-Taylor
The Films After Tomorrow – Swiss selection
The jury for the Swiss selection, made up of Mohsen Makhmalbaf, Alina Marazzi and Matías Piñeiro, awarded the following prizes:
Pardo 2020: for the production of the film, to the best Swiss project (70,000 Swiss francs)
ZAHORÍ by Marí Alessandrini, Switzerland/Argentina/Chile/France
SRG SSR Award: promotional television campaign worth 100,000 Swiss francs for a Swiss project, guaranteeing publicity on national networks to accompany theatrical release in Switzerland
LUX by Raphaël Dubach and Mateo Ybarra, Switzerland
Pardi di domani
The Pardi di domani jury, made up of Kiri Dalena, Mamadou Dia and Claudette Godfrey, awarded the following prizes:
Pardino d’oro SRG SSR for the best international short film (10,000 Swiss francs)
I RAN FROM IT AND WAS STILL IN IT by Darol Olu Kae, USA
Pardino d’argento SRG SSR for an international short film (5,000 Swiss francs)
HISTORY OF CIVILIZATION by Zhannat Alshanova, Kazakhstan
Medien Patent Verwaltung AG Prize, sponsored by Medien Patent Verwaltung AG, in the form of subtitling in three central European languages
THIÊN ĐƯỜNG GỌI TÊN (A Trip to Heaven) by Linh Duong, Vietnam/Singapore
LIFE ON THE HORN by Mo Harawe, Somalia/Austria/Germany Swiss Competition
Pardino d’oro Swiss Life for the best Swiss short film (10,000 Swiss francs)
MENSCHEN AM SAMSTAG (People on Saturday) by Jonas Ulrich, Switzerland (Locarno Short Film Candidate for the European Film Awards)
Pardino d’argento Swiss Life for a Swiss short film (5,000 Swiss francs)
TROU NOIR (Black Hole) by Tristan Aymon, Switzerland
Best Swiss Newcomer Prize, consisting of equipment and services offered by Cinegrell, Freestudios and Taurus Studio
LACHSMÄNNER (Salmon Men) by Veronica L. Montaño, Manuela Leuenberger, Joel Hofmann, Switzerland