For a nation defined by its stories, the next chapter could be written by AI—and by a new self-belief that it’s India’s turn to lead, says Uday Shankar, JioStar Vice Chairman at the India AI Impact Summit.
As artificial intelligence takes centre stage globally, India is poised at a crossroads—and few articulated its promise and pitfalls more sharply than Uday Shankar at the India AI Impact Summit, capturing a nation’s restless ambition and its anxieties—and then pointing to artificial intelligence as India’s next great leap.
In a keynote that blended optimism with realism, the JioStar Vice Chairman highlighted how India’s storytelling tradition, when fused with cutting-edge AI, could finally propel the nation’s media industry to global prominence. But, he cautioned, ambition alone won’t suffice; the time to act is now.
The setting itself was loaded with symbolism: Bharat Mandapam, hosting the first global AI summit in the Global South, a space where delegates from around the world mingled with India’s tech and media elite. But it was Uday Shankar’s keynote that electrified the room, not just for its optimism, but for its candor about India’s creative paradox.
The Indian Dream
Uday Shankar did something unusual for a tech summit: he started not with jargon, but with stories—about how technology, from the first personal computer in newsrooms to the birth of digital news, had changed Indian media. As a veteran of the industry, Uday Shankar has had, as he put it, a “ringside view” of this transformation. His anecdotes felt less like nostalgia and more like a prelude—reminding the audience that innovation is as much about culture and courage as it is about code.
It’s hard to overstate how far India’s media industry has come. In a generation, it has become the world’s fifth-largest, reaching more than 800 million video consumers, and producing content in dozens of languages. Uday Shankar pointed to the social and economic impact: media shaping not just what people watch, but what they dare to dream.
Yet, for all its scale and vibrancy, Indian content rarely breaks through globally. While South Korea rides the “K-wave” with hits like Squid Game and Parasite, while Latin pop and reggaeton dominate Spotify, Indian exports—save for rare exceptions like RRR and Dangal—remain largely for domestic or diaspora audiences. For Uday Shankar, this gap is both a puzzle and a provocation.
The Structural Bind
The problem isn’t a lack of talent. “The breathtaking VFX of Life of Pi was largely created in Mumbai and Hyderabad,” Uday Shankar reminded the crowd. Indian artists have worked on Avatar, The Dark Knight, and Game of Thrones. But back home, budgets are a tenth of Hollywood’s—making it impossible for Indian producers to consistently match global quality or retain their best talent.
The result, he argued, is an industry boxed in by its own economic realities. “Limited capital and a primarily domestic audience constrain our global competitiveness. That lack of competitiveness, in turn, hinders our ability to attract the capital that would close the gap.” It’s a chicken-and-egg dilemma, familiar to any Indian entrepreneur who’s ever wondered why the country’s stories don’t travel farther.
AI: India’s Creative Breakout Moment?
Where does AI fit in this narrative? For Uday Shankar, it’s nothing less than a generational opportunity—“the ultimate leveller.” AI, he said, isn’t just about automating tasks or boosting efficiency; it’s about erasing the old barriers of cost and access, allowing imagination and creativity to finally take center stage.
He cited JioStar’s own experiment: Mahabharat: Ek Dharmayudh, a sprawling 100-episode epic, produced at a fraction of the usual cost and time thanks to AI-driven production pipelines. The implication is clear: if technology can democratize high-quality storytelling, then India’s deep reservoir of narratives and creative talent could finally find a global audience.
But Uday Shankar’s vision goes further. AI, he suggested, will upend not just production, but the very relationship between creators and consumers. Imagine, he mused, a world where viewers can influence storylines, discover content through conversation, or enjoy regional adaptations that capture the true flavor of India’s diversity—not just dubbed voices, but authentic local stories at scale.
And then there’s money. For a century, Indian media has relied on subscriptions and advertising—blunt instruments for a country with wildly different economic realities. AI, Uday Shankar believes, will finally make it possible to segment, price, and package content in ways that reflect what people really want and can afford—unlocking billions in new value.
The Real Challenge: Will India Move Fast Enough?
If Uday Shankar’s keynote had a thesis, it’s this: India has the scale, the stories, and now the technology. But will it have the nerve and the unity of purpose? He issued three calls to action:
Disrupt yourself, or be disrupted. Uday Shankar warned against the conservatism of incumbents—a lesson he’s seen play out before, as digital newsrooms and OTT platforms met resistance. With AI, India has an agility advantage over the West, where legal and protectionist instincts are stalling progress.
Build hybrid talent. The future, he argued, belongs not to pure technologists or traditional artists, but to those who blend both—people who can dream up world-class stories and also wield AI tools with mastery.
Make policy an accelerator, not a brake. This, perhaps, is the most pointed message. India must shape its own regulatory frameworks—not simply import Western models. Early decisions will have multiplier effects as the industry scales, and policymakers should clear obstacles, not create them.
A New Cultural Self-Confidence
Uday Shankar’s address wasn’t just a technocratic pitch—it was a call for cultural confidence. The energy in the room suggested that India isn’t content to be a fast follower anymore. For too long, the tools, platforms, and rules of media have been written elsewhere. But as AI collapses old hierarchies, Uday Shankar believes the advantage will shift to nations with the deepest wells of stories and most dynamic audiences.
He left his audience with a challenge: “The question before us today is not whether India can become the global media powerhouse of the AI age. It is whether we will move fast enough to claim that position.” The stories, he said, “have always been here.” Now, the world may finally be ready.
Here are 10 nuggets from Uday Shankar’s India AI Impact Summit keynote:
Highlights
Singing Legend Lata Mangeshkar, Nightangale of India, Dies at 92
Berlinale Co-Prod Market: 35 Films from 25 Countries
TIFF Reveals Plans for Industry Conference
Films by Shekhar Kapur and Shubham Yogi Selected for Toronto Gala
A Selection to Die for
Le Musk: A Brave New Frontier in Cinema
The Path finder: Jyoti Deshpande
Toonz to Honour Aabid Surti, Biren Ghose at Animation Masters Summit
India is the Country of Honour at Cannes
RAVINDRA VELHAL: DRIVING MEDIA TRANSFORMATION
THE PATH FINDER: JYOTI DESHPANDE
INTO THE WORLD OF RRR
Powerkids Appoints Manoj Mishra as CEO
Toonz Join Tunche Films to Co-Produce Spanish-Peruvian Animation Feature Kayara
National Museum of Indian Cinema Hosts Vintage Vehicles
I&B Secretary promises Govt’s Support to Film industry
Tom Cruise’s ‘Top Gun: Maverick’ to Blaze at Cannes
Illumination’s Minions: The Rise of Gru is the Annecy Festival Opener
Now, Shoot at Sight in India!
Lata Mangeshkar, India’s Singing Goddess
Quantum Image Making Has Arrived
Indian Films To Look Out For In 2022
2022: Centenary of Indian Cinema Legends
Bhushan Kumar’s T-Series Ventures Into OTT Content Creation Space