Editor’s Note: 44th Toronto International Film Festival Pickle Sept 2019 Edition
By Pickle August 31, 2019
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We are happy to present the latest issue of Pickle for the delegates at the 44th Toronto International Film Festival and sales and industry representatives. TIFF is unarguably the biggest festival and market in North America.
For India, and now increasingly to South Asia, Toronto has become a hub for discovery of talent. Toronto is a great place to be in especially for young Indian filmmakers who are visibly changing the face of Indian cinema. Being discovered at Toronto opens them a new path to their cinematic techniques and excellence. Toronto leads the global film festival outfits to bring into limelight excellence and best minds in Indian cinema.
This year four Indian films are being screened at TIFF, including The Sky is Pink directed by Shonali Bose (Galas 2019), Moothon (The Elder One) directed by Geetu Mohandas (Special Presentations 2019), Jallikattu directed by Lijo Jose Pellissery (Contemporary World Cinema) and Bombay Rose directed by Gitanjali Rao (Contemporary World Cinema).
The Ministry of Information & Broadcasting, Government of India, in collaboration with Confederation of Indian Industry (CII) has set up India Stand at the Industry Centre which will provide a platform to popularize Indian cinema in the overseas market and facilitate new business opportunities. The objective is to promote cinemas of India, film locales and services and 50th edition of International Film Festival of India in Goa (November 20-28, 2019). A breakfast session with global producers is slated for September 9.
With this edition, we have changed the masthead of Pickle. It is much leaner with alphabets following smooth lines. The idea is to give ourselves a refreshing brand new look, underscoring our moto to embrace change for the better. We look forward to your views and suggestions on the new mast created by Shruti Remalli.
The Indian media ecosystem is changing fast. The Over-the- Top (OTT) space is gaining attraction in the Indian market with the presence of Hotstar, Voot, ErosNow, ZEE5, Sony Liv, ALT Balaji, Sun Nxt, Amazon Prime and Netflix, which are expanding and growing the market in India.
Pickle’s October print issue will focus and reach out to delegates at MIP Junior and MIPCOM — the world’s biggest audiovisual market at Cannes, France. Feel free to email your thoughts and suggestions.
n vidyasagar
pickle media
nat@pickle.co.in, www.pickle.co.in
Highlights
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National Film Awards: Sushant Singh’s Chichchore, Dhanush, Manoj Bajpayee, Kangana Among Winners
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Virtual Pre-Cannes Screenings For Buyers Before July Physical Market
Accreditations Are Open For Cannes 2021
Stage set for Cannes from July 6. Spike Lee, Cannes Jury Head
Matchmaking Biz Accelerator At Digital MIPTV 2021
MIPTV 2021 Trend: Increasing Demand for Distribution & Co-Production
MIPTV honours A+E Networks president Paul Buccieri
Thanu For Making Producers’ Mission Possible
Mehrunisa Aims more Destinations
Delhi Photographer Sohrab Hura’s Film The Coast in Berlinale’s Forum Expanded
Berlinale Talents 2021: Nine Talents from India
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Re-Imagined European Film Market 2021
EFM Global Market Screenings in Tokyo, Melbourne, Sao Paulo, Mexico
Berlinale Co-Prod Market: 35 Films from 25 Countries
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India Rolls out Red Carpet to Foreign Filmmakers
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India, the Window of Opportunity
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Film Making Centres of India
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TIFF: The Show and Business Goes on
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Straight Answers From Alexander Shulgin
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NYIFF Takes Virtual Route
From The Heart Of Disney
New Model of Filmmaking in India
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FDI cap of 26% for News Aggregators Under Consideration
The Changemaker
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No Business as Usual for Film Industry
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Disney +Hotstar Leads the Disruption
Taapsee’s takes on OTT, Nepotism & Covid
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‘NFDC Film Bazaar Goes to Cannes’
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Best of the Cannes Official Selection 2020 Films
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The Making of Cannes 2020 Film Selection Process
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20 Work in Progress Tiltles Unveiled for Goes to Cannes
Annecy VR Works Selections for Digital MIFA Market
Film Bazaar’s Work in Progress Films from India Goes to Cannes Virtual Market
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Meet the Streamers: HBO Max & Quibi Keynotes at Cannes Virtual Film Market
Dedicated Cannes XR Virtual Edition from June 24-26
Screen Moms; Best Movies to Stream on Mother’s Day
Vijay Deverakonda: The Lovable ‘Rowdy’
Sai Pallavi: Natural Beauty is a Natural Actor Too
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51 International Film Festival of India, Goa ( 20 -28 November, 2020)
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A Call From Uttarakhand For Filmmakers Of The World
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INDIA@BERLINALE-Indian Cinema’s Voices Emerging
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Editor’s Note: 44th Toronto International Film Festival Pickle Sept 2019 Edition
The OSCAR RACE begins HERE…
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66th National Film Awards Winners for 2018
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NFDC Invites Applications for Production of Films in Indian Languages; Deadline September 8, 2019
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Why TikTok wants to invest $1 billion in India?
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Gitanjali Rao’s Animation Feature Bombay Rose to open Critics’ Week at Venice International Film Festival
76th Venice International Film Festival to Open With Hirokazu Kore-eda’s ‘The Truth’
Indian Cinema’s Soft Power Misses the Mark in Nirmala Sitharaman’s Maiden Budget Speech
Shahid’s Kabir Singh Becomes Top-Grossing Film of 2019
Finance Minister Proposes FDI Norm Relaxation in Media
Media & Entrtainment as Champion Sector Figures in the Economic Survey 2018-19
Indian Cinema’s Steady Rise on Global Stage
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