La vérité (The Truth), directed by Kore-eda Hirokazu (Shoplifters; The Third Murder; Like Father, Like Son) and starring Catherine Deneuve, Juliette Binoche, Ethan Hawke, will be the opening film in the Competition Section of the 76th Venice International Film Festival (August 28 – September 7, 2019), directed by Alberto Barbera and organized by La Biennale di Venezia chaired by Paolo Baratta. La vérité will have its world premiere screening on Wednesday, August 28th in the Sala Grande of the Palazzo del Cinema at the Venice Lido.
Director Kore-eda Hirokazu said: “It is with great joy that I have learned that my new film, La vérité, has been selected to open the Official Competition of the Venice Film Festival. I am extremely honored. I would like to express my sincere gratitude to the entire staff of the festival. We shot the movie in ten weeks last fall in Paris. As officially announced, the cast is prestigious but the film itself recounts a small family story that takes place primarily inside a house. I have tried to make my characters live within this small universe, with their lies, pride, regrets, sadness, joy, and reconciliation. I truly hope you will like this film.”
Festival Director Alberto Barbera said: “For the first film he has directed abroad, Kore-eda had the privilege of working with two major French film stars. The encounter between the universe of Japan’s most important filmmaker today and two beloved actresses like Catherine Deneuve and Juliette Binoche, brought to life a poetic reflection on the relationship between a mother and her daughter, and the complex profession of acting. It will be a pleasure to present this movie as the opening film of this year’s Venice Film Festival”.
SYNOPSIS: Fabienne (Catherine Deneuve) is a star; a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir (Juliette Binoche) returns from New York to Paris with her husband (Ethan Hawke) and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed.
La vérité is produced by Muriel Merlin, coproducers Miyuki Fukuma, Matilde Incerti. A coproduction by 3B productions Bunbuku & M.i Movies, France 3 cinéma, with participation of France Télévisions, Canal+, Ciné+, Le Pacte, Wild Bunch, Gaga Corporation.
Kore-eda was born in 1962 in Tokyo, Japan. After graduating from Waseda University in 1987, Kore-eda joined TV Man Union where he directed several prize-winning documentary programs. In 2014, he launched his production company BUN-BUKU. In 1995, his directorial debut “MABOROSI” won the 52nd Venice International Film Festival’s Golden Osella. “AFTER LIFE” (1998), brought Kore-eda international acclaim. In 2001, “DISTANCE” was selected in Official Competition at the Cannes Film Festival. In 2004, he presented “NOBODY KNOWS”, Yagira Yuya, the young star in the film, receiving the Cannes’ Best Actor Award. In 2006, “HANA” was presented in San Sebastian and in Toronto. In 2008, he presented the family drama “STILL WALKING”, which reflected his own personal experiences, and received high praise from around the world. In 2009, “AIR DOLL” made its world premiere in Un Certain Regard at the 62nd Cannes Film Festival and was widely-praised for marking a new frontier in its depiction of a sensual love fantasy. In 2011, “I WISH” won the Best Screenplay Award at the 59th San Sebastian International Film Festival. In 2012, he made his TV series directorial debut with Going Home. “LIKE FATHER, LIKE SON” (2013) winner of the Jury Prize at the Cannes Film Festival, broke the box office records of this previous films in many territories. In 2015, “OUR LITTLE SISTER” premiered in Competition at the Cannes Film Festival as well at the San Sebastian Film Festival received four awards including Best Film and Best Director at Japan Academy Prize. In 2016, “AFTER THE STORM” premiered in Un Certain Regard at the 69th Cannes Film Festival. In 2017, “THE THIRD MURDER” premiered in Competition at the 74th Venice International Film Festival and won six Awards at Japan Academy Prize. In 2018 “Shoplifters” won the Palme d’Or at the 71st Cannes Film Festival and broke the box office records of his previous films.
Highlights
GET THE BEST OUT OF FILM BAZAAR 2019
Taapsee’s takes on OTT, Nepotism & Covid
Thanu For Making Producers’ Mission Possible
Mehrunisa Aims more Destinations
Delhi Photographer Sohrab Hura’s Film The Coast in Berlinale’s Forum Expanded
Berlinale Talents 2021: Nine Talents from India
Tamil Film Pebbles by Vinothraj Wins Tiger Award at Rotterdam
Re-Imagined European Film Market 2021
EFM Global Market Screenings in Tokyo, Melbourne, Sao Paulo, Mexico
Berlinale Co-Prod Market: 35 Films from 25 Countries
Books at Berlinale 2021: 10 Books will be Pitched for Screen Adaptation
Highlights: Berlinale Series Market & Conference
Uday Shankar forms New Tech and Media Venture with James Murdoch
With Film Visa, Global Producers Can Now Shoot in India
CII Seeks Industry Status for M&E in Union Budget
51st IFFI Will Capture New Narratives in Cinema
15 Films Compete for Golden Peacock at #IFFI51
Top IFFI Picks: Another Round, Mehrunisa, Wife of A Spy
Hybrid IFFI From January 16
CII BIG PICTURE SUMMIT 2012: Growth Triggers From Ronnie
What Media Guru Amit Khanna Said in CII BIG PICTURE SUMMIT 2012
LATAM Market Ventana Sur from November 30
Blue Efficience Roped in For Ventana Sur
Films to watch @ Ventana Sur
India Rolls out Red Carpet to Foreign Filmmakers
Ramesh Sharma’s New Documentary Film on Gandhi at AFM
The Warrior Queen of Jhansi at AFM
www.cinemarket.io – Buy, Sell & Engage
Embracing Cinema Through Screens of all Sizes
Nomadland wins People’s Choice at Toronto
MIPCOM 2020 Goes Entirely Online
South Korea will be MIPCOM 2020 country of honor
India, the Window of Opportunity
Get Ready for Hybrid IFFI
Film Making Centres of India
Get Your Film Take Wings at Virtual Film Bazaar
Make at least Ten co-productions in a year
Filmmakers Should Make use of India-Canada Treaty
TIFF: The Show and Business Goes on
Navigating Toronto Film Festival and Industry
Make in India, Show the World
Be Part of the Pickle India Focused Toronto Edition
ads2OTT set to Launch in Oct 2020
MovieSaints to release Memories of a Forgotten War
Truth Is Dead
Submissions Open For Berlinale Co-Production Market
Gender Equality-Berlinale Eliminates Silver Bear for Best Actor and Best Actress
All3Media, A+E Networks, BBC Studios, ZDF Join MIPCOM 2020 Global UPFRONTS Lineup
NürnbergMesse’s Content India Show from October 29-31
Berlinale 2021 Will be a Physical Festival; EFM in Hybrid Format
Best of 2020: A Dazzling Dozen
Striking the Right Chord
Ishaan Khatter looking ‘beyond clouds’ with promising upcoming projects
IFFI 2020 Adopts Hybrid Online-Physical Edition
India Unbound
20 Films That Make us Believe Freedom is Priceless
Krishna Janmashtami Special
National Education Policy: Game Changer
18 Must-See Films at Venice 2020
Ayushmann Turns Athlete
Indian Trio in Venice
Blockchain: The Future is Now
Not right time to open cinema halls: Ravi Kottarakara
Meet, ERICA. AI Actor in a SCI-FI Film
Vidya Balan Set to Shine as Shakuntala Devi
Straight Answers From Alexander Shulgin
Content is king for Saregama’s Yoodlee
Nuggets From Animation Thought Leaders
NYIFF Takes Virtual Route
From The Heart Of Disney
New Model of Filmmaking in India
My Journey: How I Did It
Animation in the Age of Art & Tech
Making Filming in India More Easy
Gaurav Banerjee: Star Unveiled
FDI cap of 26% for News Aggregators Under Consideration
The Changemaker
COVID-19 has Accelerated Digital Shift Towards Across Sectors
No Business as Usual for Film Industry
What’s Wrong With our News Media Today ?
The Fire Inside Regina
Gaming Industry Braves Covid
Disney +Hotstar Leads the Disruption
Oscar Invites QUBE’s Senthil Kumar to be its Member at Large
What’s New Search Engine Neeva Can Do That Google Cannot?
The New Oscar Award Date April 25, 2021
India to Offer Incentive Package for Film Shoots and Co-Production
‘NFDC Film Bazaar Goes to Cannes’
Strings of Genius
A Ray That Still Lights The Way
Best of the Cannes Official Selection 2020 Films
Most Awaited Films of India
56 Films: Cannes Reveals 2020 Lineup
The Making of Cannes 2020 Film Selection Process
Cannes Virtual Film Market Extends Earlybird Registration to June 12
Take a Look at Annecy Competition Lineup
Getting Back to Business, Reveals Media Consumption Pattern
Cannes 2020 to Announce Festival Selection Lineup on June 3
20 Work in Progress Tiltles Unveiled for Goes to Cannes
Annecy VR Works Selections for Digital MIFA Market
Film Bazaar’s Work in Progress Films from India Goes to Cannes Virtual Market
Navigating Virtual Cannes Film Market 2020
Meet the Streamers: HBO Max & Quibi Keynotes at Cannes Virtual Film Market
Dedicated Cannes XR Virtual Edition from June 24-26
Screen Moms; Best Movies to Stream on Mother’s Day
Vijay Deverakonda: The Lovable ‘Rowdy’
Sai Pallavi: Natural Beauty is a Natural Actor Too
Cannes Virtual Film Market Registration Opens May 13
COVID-19: Nuggets from Netflix’s Ted Sarandos on Filming and Safety Protocols
Maitreyi Ramakrishnan is New Sensation in Netflix Original Series Never Have I Ever
The Best Movies of 2001-2019 Not Streaming in OTT Platforms
Best Movies of the New Millennium Streaming Now
Best Movies of the New Millennium Streaming Now
Best Movies of the New Millennium Streaming Now
Best Movies of the New Millennium Streaming Now
Best Movies of the New Millennium Streaming Now
Annecy Unveils Virtual Film Festival and Market in June
Roskino to Host Russian Virtual Digital Content Market from June 8
27 Rishi Kapoor Films to Stream at Home Now
Virtual Nab Show Express will Take Place May 13-14, 2020
51 International Film Festival of India, Goa ( 20 -28 November, 2020)
Films to Watch in 2020
Christopher Nolan Films Tenet in Mumbai
A Call From Uttarakhand For Filmmakers Of The World
FFO Rolls Out Red Carpet For Foreign Filmmakers
INDIA@BERLINALE-Indian Cinema’s Voices Emerging
51st IFFI TO Mark Satyajit Ray’s Centenary Celebrations
Infusing Life With Dubbing AT VR Films & Studios
Sailing well in Animation Waters
Berlinale 2020: India’s Laila Aur Satt Geet Selected for ‘Encounters’ Section
Prateek Vats’ Eeb Allay Ooo! in Berlinale Panaroma
Berlinale Shorts: Ekta Mittal’s ‘Gumnaam Din’ to showcase of pain of separation
Berlinale Talents: Seven Indians Make It to the List
My Salinger Year is the Opening Film at 70th Berlinale
GET READY for EUROPEAN FILM MARKET 2020
BERLIN FILM FESTIVAL 2019 WINNERS
Berlinale Forum Celebrates Golden Jubilee in 2020
Berlinale 2020 Poster Unveiled
British Actor Jeremy Irons Will Be the Jury President of Berlinale 2020
Amit Khanna: The Renaissance Man
Fantastic Friend
THE MEDIA GURU-AMIT KHANNA
STRAIGHT ANSWERS FROM AMIT KHANNA
THE DEFINING DECADE -THE 1990s
10 Achievements of Amit Khanna
Reflections on Amit Khanna
Valuable Moments
India Enchants John Bailey
The Big Bachchan of Bollywood
ETERNAL SUPERSTAR: RAJINIKANTH
IFFI 50 & Fantastic-Lifetime Achievement Award to Isabelle Huppert
INDIA’S FLAGSHIP FILM FESTIVAL TURNS 50
BACK IN BUSINESS WITH A BANG
Transforming Hollywood from pixels to voxels
Government of India committed to Safeguard IP content: Commerce Secretary
Must do Things at AFM
Why India Attracts Foreign Filmmakers
Pickle at MIPCOM 2019
INDIAN COMPANIES AT MIPCOM
Super Audio: Licensed to Thrill
Jungle Book Season 3 Ready
Issuance of VPL in India
Editor’s Note: 44th Toronto International Film Festival Pickle Sept 2019 Edition
The OSCAR RACE begins HERE…
Seven Indian Indie Filmmakers To Watch
Indian Cinema Of Today: A Culturally Responsive Artifact
Indie Resurgence
Indian Films At Toronto a Sparkling Quartet
IFFI Matters @ 50
Four Indian Films at the Toronto International Film Festival 2019
India Pavilion at Toronto International Film Market 2019
Made in Afghan Film ‘Hava, Maryam, Ayesha’ To Compete at Venice Festival
Keerthy Suresh: The Mahanati of Mahanati. Best Actress, National Film Award
Uttarakhand Bags National Award for Most Film Friendly State
66th National Film Awards Winners for 2018
Watan Adds Colour to Indian Independence Day
dream hampton and Brie Miranda Bryant to Feature in MIPCOM’S Women in Global Entertainment Lunch 2019
Making a Song and Dance of it
NFDC Invites Applications for Production of Films in Indian Languages; Deadline September 8, 2019
IFFI Calls for Entry for Indian Panorama in 50th Edition
Ease of Filming in India
Come, Film In Inida
Why TikTok wants to invest $1 billion in India?
Priyanka Chopra’s The Sky is Pink Set to Premiere in 2019 Toronto Internaitonal Film Festival’s Gala Section
Gitanjali Rao’s Animation Feature Bombay Rose to open Critics’ Week at Venice International Film Festival
76th Venice International Film Festival to Open With Hirokazu Kore-eda’s ‘The Truth’
Indian Cinema’s Soft Power Misses the Mark in Nirmala Sitharaman’s Maiden Budget Speech
Shahid’s Kabir Singh Becomes Top-Grossing Film of 2019
Finance Minister Proposes FDI Norm Relaxation in Media
Media & Entrtainment as Champion Sector Figures in the Economic Survey 2018-19
Indian Cinema’s Steady Rise on Global Stage
Glimpses of the future
IFFI Marching Towards 50th Edition
Cannes or Netflix? Is Netflix an acceptable remediation for Cannes’ decades-long little regard for Indian Cinema?
Play Small & Live Long Did Wonders for Me
Tape Story 03
Is the Future Here?
Future of Media & Entertainment: A New Beginning: Post Covid-19
Shooting Locales in India – Arunachal Pradesh