Ahead of the release of his much awaited Lingaa, Rajinikanth, who is ruling the Indian cinema for the past four decades, was named the recipient of the ‘Centenary Award’ for the ‘Indian Film Personality of the Year’ at the 45th International Film Festival of India in Goa. By Saibal Chatterjee
The amazing Rajinikanth story is no less fascinating than a movie script. There are multiple strands to the narrative, and each one of them can yield enough by way of drama to sustain a full-length feature.What sets Rajinikanth apart is the fact that he is more than just another movie star idolized in a populous nation that loves its filmed entertainment.
He is a true-blue phenomenon whose clout transcends boundaries of both land and language like few things can in contemporary Indian pop culture.One of the strands of the Rajinikanth saga pertains to the rags-to-riches tale of a Bangalore bus conductor who went on to become one of the greatest luminaries that Indian cinema has ever produced, a transformation that borders on the fantastical.
The other thread of the story relates to the emergence of the larger-than-life myth of a towering showbiz personality who commands unquestioning loyalty from a fan base that keeps growing steadily and spawning ever-new crops of Rajini-isms on the social media and elsewhere.Rajini does not have Greek God good looks, nor does he have the height or physique to tower over everything else in a movie frame.
Yet his screen presence is extraordinary. His flashy mannerisms, his flamboyant swagger, and his punchy one-liners add up to a totality that is beyond analysis. It is next to impossible to put a finger on the exact reasons that make him such a peerless icon. Part of the difficulty stems from the fact that Rajini himself has never made calculated career moves. He has merely gone along with the flow and ended up in a place where very few ever have.
For a man who has achieved the kind of sustained success that he has, he has his feet firmly planted to the ground – an attribute that immeasurably enhances his stature.Unlike other Indian movie stars, Rajinikanth keeps his on-screen persona well removed from his real-life identity as a husband, father and grandfather. He rarely appears at public events, but exercises great influence on Dravidian culture and politics.But his appeal is certainly not limited to the confines of Tamil Nadu and its cinema. His is a recognizable face across the country and in parts of the world where Tamil cinema has made inroads in recent years.
Who else but Rajinikanth could be at the receiving end of a musical tribute of the kind that Bollywood megastar Shahrukh Khan paid him in Chennai Express. The song, Lungi Dance, aimed at “all the Rajini fans”, became a chart-topper and continues to be a favourite with DJs around the country. So confident is he of his fan following that when Rajinikanth appears in public, he does nothing at all to hide the tell-tale signs of age that a 63-year-old grandfather must necessarily live with.
At an event organized to launch the music of the science fiction epic Enthiran/Robot a couple of years ago, he got up on the podium and narrated how he was mistaken for just another man in the crowd by onlookers in a Rajasthan village, where the film was being shot. He was hard pressed, he admitted in public, to convince fans who were milling around lead actress Aishwarya Rai that he was the hero of the film.Nothing says more about Rajinikanth the man and the movie star than the kind of unassuming candour that he resorts to when talking about himself and his achievements. At times it is difficult to believe that a superstar who, with the fee that he got for Sivaji (2007), became the highest paid Asian movie actor after Jackie Chan has no starry airs whatever. Is he for real?
Awarded the Padma Bhushan in 2000, Rajinikanth was named the recipient of the ‘Centenary Award’ for the ‘Indian Film Personality of the Year’ at the just-concluded 45th International Film Festival of India in Goa. The well deserved honour was bestowed on the megastar at the opening ceremony of the film festival on November 20.
Rajinikanth’s acting career began nearly 40 years ago, with K Balachander’s National Award-winning but controversial film Apoorva Raagangal (1975), in which the budding star played a small role as the abusive and long lost husband of the film’s heroine. Kamal Haasan was the lead actor of Apoorva Raagangal.
Rajini’s next film was the Kannada-language Katha Sangama (1976), an offbeat omnibus film directed by Puttanna Kanagal. It was not until his mentor Balachander made Anthuleni Katha in Telugu that Rajini landed a pivotal role in a film. An even more prominent character came his way in Balachander’s Moondru Mudichu (1976).
In the early years of his career, Rajini played largely negative roles, especially as a womanizer or a perfidious friend, in several Tamil and Telugu films. He graduated to essaying lead roles and appearing in a large number of films in the late 1970s, but his screen image as a dashing leading man began to crystallize only in the 1980s.Who could have ever imagined that an actor who early in his career played, among other things, a village ruffian who rapes a blind girl, a man who nonchalantly lets his friend drowns so that he can marry the former’s girlfriend, and a pornographer who secretly films his wife in the act without her knowledge would turn into a screen superhero endowed with bionic powers?
Rajinikanth had 15 releases in 1977 and 20 in 1978. These films were made in Tamil, Telugu and Kannada. He not only starred in many remakes of Mumbai hits of the 1970s and 1980s on the way to becoming the pivot of the Tamil cinema business, he also acted in several Hindi films without quite replicating his southern success. This was a crazily frenetic period for the star. MGR had just bowed out of the movie industry to concentrate on politics. Rajini and his contemporary Kamal Haasan (he had 33 releases in 1978-79) moved into the breach.
Rajinikanth, generous to a fault, has always praised Kamal Haasan for inspiring him with his professionalism.
His characteristic humility notwithstanding, there can be no denying that the box office clout that Rajini wields is unparalleled. While Kamal Haasan sought to experiment with his screen roles, taking on a wide array of characters in the 1980s and 1990s and earning the reputation of a thinking man’s movie star, Rajini focused on developing a screen persona with wide mass appeal. Both succeeded in their chosen endeavours.
In the 1990s, Rajini became such a commercial force that nobody in the Tamil movie industry could do without him. In 1991, Mani Ratnam cast him in Thalapathi, who co-starred Malayalam superstar Mammootty.In the wake of the success of Thalapathi, films such as Annamalai, Mannan, Valli (for which the actor wrote his first screenplay), Muthu, Yejaman, Veera and Baasha, hit the screens in quick succession, catapulting Rajinikanth to a zone that nobody in Indian cinema history had ever penetrated.His career experienced somewhat of a slump at the turn of the millennium when Baba, scripted by him, failed to deliver the goods at the box office. The distributors were left in the red as a result and, in an unprecedented move, Rajini decided to make good the losses. After a brief hiatus, Rajini bounced back with Chandramukhi in 2005 and Sivaji in 2007.
The first time that Rajinikanth was labelled a ‘Superstar’ was in mid-1978, the year of Bairavi. Distributor S Dhanu put up a 40-foot cutout of Rajini at Plaza theatre in Madras.The civic authorities ordered the cutout to be pulled down on the grounds it could pose a safety hazard on the road. Dhanu reinforced the cutout and so it stood right there, staring down on one of the city’s busiest thoroughfares. The man in the cutout quickly seared himself into the collective consciousness of Tamil movie fans. And that is where he continues to be to this day.
As film lovers await the release of Lingaa on the superstar’s 64th birthday – December 12, 2014 – the countdown to another massive blockbuster has begun. Hitting the theatres a week before the much anticipated Aamir Khan starrer, PK, Lingaa will be up on as many 5,500 screen across the country and the world. If the Rajini film, co-starring Sonakshi Sinha and Anushka Shetty, puts the Aamir starrer in the shade, we will not be the least bit surprised. As any fan of the southern supertsar will vouch, with Rajinikanth nothing is ever impossible.
WORDS OF WISDOM FROM SUPER STAR
If you want to do a good thing, make an open announcement. Because, you can change your mind, but not the words you uttered
Donate your eyes. They can see even after you die
Your family, friends, society and country should be your focus areas
I say this from my personal experience, please quit smoking
Good people will sure win, but it will take some time. So do good, stay patient
The more you reduce your desires, the more will be your happiness
TIFF Reveals Plans for Industry Conference
Films by Shekhar Kapur and Shubham Yogi Selected for Toronto Gala
A Selection to Die for
Le Musk: A Brave New Frontier in Cinema
The Path finder: Jyoti Deshpande
Toonz to Honour Aabid Surti, Biren Ghose at Animation Masters Summit
India is the Country of Honour at Cannes
RAVINDRA VELHAL: DRIVING MEDIA TRANSFORMATION
THE PATH FINDER: JYOTI DESHPANDE
INTO THE WORLD OF RRR
Powerkids Appoints Manoj Mishra as CEO
Toonz Join Tunche Films to Co-Produce Spanish-Peruvian Animation Feature Kayara
National Museum of Indian Cinema Hosts Vintage Vehicles
I&B Secretary promises Govt’s Support to Film industry
Tom Cruise’s ‘Top Gun: Maverick’ to Blaze at Cannes
Illumination’s Minions: The Rise of Gru is the Annecy Festival Opener
Now, Shoot at Sight in India!
Lata Mangeshkar, India’s Singing Goddess
Quantum Image Making Has Arrived
Indian Films To Look Out For In 2022
2022: Centenary of Indian Cinema Legends
Singing Legend Lata Mangeshkar, Nightangale of India, Dies at 92
Bhushan Kumar’s T-Series Ventures Into OTT Content Creation Space
What’s India Looking for at European Film Market
Write a Reply or Comment