Why India Attracts Foreign Filmmakers

By Pickle  November 1, 2019

Veteran Indian film Producer Dileep Singh Rathore, who heads On The Road India, talks about how things have changed for better for foreign filmmakers who are willing to shoot their movies in India. Rathore shares his experience on the facilitation provided by Ministry of Information & Broadcasting’s Film Facilitation Office for Christopher Nolan’s film Tenet’s shoot in India

Tell us about On The Road India productions…

We are a 28-year-old company. I started very young when I was in my teens. We began our work, when there were no production service companies in India. I have worked with Shashi Kapoor and was with him in Russia for shooting. Then began, On The Road India and we have been working since then for many big projects. We have worked on projects for major studios like Warner Bros. Pictures and Walt Disney. We are production experts in the Indian and South Asian region with over decades of handling international feature projects, award winning documentaries, commercials and high-end still projects. In all these years, we have done over 35 major international projects. Our latest was Christopher Nolan’s Tenet (Warner Bros). We were the Indian producers for the project. We did the film shoot in Mumbai. We were super excited by the coordination and facilitation provided by Film Facilitation Office set-up by the Ministry of Information & Broadcasting and the state of Maharashtra.

Share your experience of Christopher Nolan’s film shoot in Mumbai…

It’s best of the facilitation one could get for a film shoot. We are extremely thankful to the Ministry of Information & Broadcasting, Government of India and the co-ordinators at FFO and B A Gagrani, Principal Secretary at the Chief Minister’s Office, Government of Maharashtra. They were instrumental in getting all the permission clearances. This time for the first time, I saw that every department was accountable and FFO office was extremely supportive and they did wonders. I have to specifically point out FFO’s intervention in getting permission from Directorate General of Civil Aviation (DGCA) which provides permission for aerial shootings in the country. We could use helicopter for the Tenet film shoot. We still have some issues related to Customs — because for this kind of film, we bring large quantity of equipment. I feel, if this could be streamlined, that would be wonderful. We paid all our fees to BMC and other agencies. They gave all local permissions, allowed us to park our vehicles, and set base camps. There was perfect synergy between the Ministry of Information & Broadcasting and the State Government of Maharashtra. We have to make sure, we help every filmmaker who come to India to shoot.

Do you see visible changes happening for film shoots in India?

Things are changing for sure. I can say with my 25 years of experience in this industry that it was difficult to get permissions. There were times Government used to behave that they do favours to local or international filmmakers who are bringing the films to shoot. With FFO, I can see visible changes in coordination. This is the first time, Government is taking the initiative that the filmmaker who is coming from abroad has to face no hassles. He gets his permission on time and he is assisted with the government machinery. The is a good example of ease of filming and doing business in India. Also, there is a realisation of money coming into the country. jobs getting created and helping tourism. A foreign film shoot creates job at every level from the film industry to affiliated industries (which support the film industry like hotels, transport, catering).

Will Nolan come back for another shoot?

Nolan was extremely happy and satisfied with the Mumbai film shoot. He had great time. Also, he loves India. There were no major hiccups and he had a fantastic time. He really enjoyed his filming, showcased India in a beautiful way. He loved Mumbai city and the food. This was his second film shoot. I was the India producer for his first film shoot Batman: The Dark Knight Rises. We had issues during that time. This time, it is different. He will definitely come back again. Because of his love for India.

Do you think more foreign films’ shoots will come to India…

With this great experience, Nolan would talk about it. Definitely, Warner Bros would want to come to India for another project. If filmmakers like Nolan or Peter Wier shoot in India, they bring lot of revenue. There is also a feel good factor to the country. There is a goodwill. That’s very important. And if people at level like Nolan or Warner Brothers talk about, global studios and filmmakers and will listen to that.

FFO had come to Los Angeles and we set up meetings with Warner Bros. They got convinced to come to India. Having done everything well, in a timely manner, it will boost the confidence to bring another project to India. I can clearly see new projects coming to India.

What is India’s biggest attraction to foreign filmmakers?

India is vibrant, beautiful and looks different from rest of the world. Why do people come to India all the way. They want to come to India for the elements they find in India. International filmmakers come for archaeological places like forts and palaces, Indian forests, Indian trains, vibrancy in Indian cities. If ease of permission gets better, India will find mentions in more scripts developed in the world. Even a small film brings couple of million dollars. Foreign film shooting and production services have to be recognised as an industry. This will send a great message, internationally. And lot more films will come to shoot for sure.

Write a Reply or Comment

Your email address will not be published. Required fields are marked *

Highlights



Oscar Invites QUBE’s Senthil Kumar to be its Member at Large

Valuable Moments

The Fire Inside Regina

Gaming Industry Braves Covid

Disney +Hotstar Leads the Disruption

Taapsee’s takes on OTT, Nepotism & Covid

What’s New Search Engine Neeva Can Do That Google Cannot?

The New Oscar Award Date April 25, 2021

India to Offer Incentive Package for Film Shoots and Co-Production

Strings of Genius

A Ray That Still Lights The Way

Best of the Cannes Official Selection 2020 Films

Most Awaited Films of India

56 Films: Cannes Reveals 2020 Lineup

The Making of Cannes 2020 Film Selection Process

Cannes Virtual Film Market Extends Earlybird Registration to June 12

Annecy Jury Members

Take a Look at Annecy Competition Lineup

Getting Back to Business, Reveals Media Consumption Pattern

Cannes 2020 to Announce Festival Selection Lineup on June 3

20 Work in Progress Tiltles Unveiled for Goes to Cannes

Annecy VR Works Selections for Digital MIFA Market

Film Bazaar’s Work in Progress Films from India Goes to Cannes Virtual Market

Navigating Virtual Cannes Film Market 2020

Meet the Streamers: HBO Max & Quibi Keynotes at Cannes Virtual Film Market

Dedicated Cannes XR Virtual Edition from June 24-26

Screen Moms; Best Movies to Stream on Mother’s Day

Vijay Deverakonda: The Lovable ‘Rowdy’

Sai Pallavi: Natural Beauty is a Natural Actor Too

Cannes Virtual Film Market Registration Opens May 13

COVID-19: Nuggets from Netflix’s Ted Sarandos on Filming and Safety Protocols

Maitreyi Ramakrishnan is New Sensation in Netflix Original Series Never Have I Ever

The Best Movies of 2001-2019 Not Streaming in OTT Platforms

Best Movies of the New Millennium Streaming Now

Best Movies of the New Millennium Streaming Now

Best Movies of the New Millennium Streaming Now

Best Movies of the New Millennium Streaming Now

Best Movies of the New Millennium Streaming Now

Annecy Unveils Virtual Film Festival and Market in June

Roskino to Host Russian Virtual Digital Content Market from June 8

27 Rishi Kapoor Films to Stream at Home Now

Virtual Nab Show Express will Take Place May 13-14, 2020

51 International Film Festival of India, Goa ( 20 -28 November, 2020)

Films to Watch in 2020

Christopher Nolan Films Tenet in Mumbai

A Call From Uttarakhand For Filmmakers Of The World

FFO Rolls Out Red Carpet For Foreign Filmmakers

INDIA@BERLINALE-Indian Cinema’s Voices Emerging

51st IFFI TO Mark Satyajit Ray’s Centenary Celebrations

Sailing well in Animation Waters

Infusing Life With Dubbing AT VR Films & Studios

Berlinale 2020: India’s Laila Aur Satt Geet Selected for ‘Encounters’ Section

Prateek Vats’ Eeb Allay Ooo! in Berlinale Panaroma

Berlinale Shorts: Ekta Mittal’s ‘Gumnaam Din’ to showcase of pain of separation

Berlinale Talents: Seven Indians Make It to the List

My Salinger Year is the Opening Film at 70th Berlinale

GET READY for EUROPEAN FILM MARKET 2020

BERLIN FILM FESTIVAL 2019 WINNERS

Berlinale Forum Celebrates Golden Jubilee in 2020

Berlinale 2020 Poster Unveiled

British Actor Jeremy Irons Will Be the Jury President of Berlinale 2020

Amit Khanna: The Renaissance Man

Fantastic Friend

THE MEDIA GURU-AMIT KHANNA

STRAIGHT ANSWERS FROM AMIT KHANNA

THE DEFINING DECADE -THE 1990s

10 Achievements of Amit Khanna

Reflections on Amit Khanna

India Enchants John Bailey

The Big Bachchan of Bollywood

ETERNAL SUPERSTAR: RAJINIKANTH

IFFI 50 & Fantastic-Lifetime Achievement Award to Isabelle Huppert

INDIA’S FLAGSHIP FILM FESTIVAL TURNS 50

BACK IN BUSINESS WITH A BANG

GET THE BEST OUT OF FILM BAZAAR 2019

Transforming Hollywood from pixels to voxels

Government of India committed to Safeguard IP content: Commerce Secretary

Must do Things at AFM

Why India Attracts Foreign Filmmakers

Architect of AMAZEMENT

Pickle at MIPCOM 2019

INDIAN COMPANIES AT MIPCOM

Super Audio: Licensed to Thrill

Jungle Book Season 3 Ready

Issuance of VPL in India

Editor’s Note: 44th Toronto International Film Festival Pickle Sept 2019 Edition

The OSCAR RACE begins HERE…

Seven Indian Indie Filmmakers To Watch

Indian Cinema Of Today: A Culturally Responsive Artifact

Indie Resurgence

Indian Films At Toronto a Sparkling Quartet

IFFI Matters @ 50

Four Indian Films at the Toronto International Film Festival 2019

India Pavilion at Toronto International Film Market 2019

Made in Afghan Film ‘Hava, Maryam, Ayesha’ To Compete at Venice Festival

Keerthy Suresh: The Mahanati of Mahanati. Best Actress, National Film Award

Uttarakhand Bags National Award for Most Film Friendly State

66th National Film Awards Winners for 2018

Watan Adds Colour to Indian Independence Day

dream hampton and Brie Miranda Bryant to Feature in MIPCOM’S Women in Global Entertainment Lunch 2019

Making a Song and Dance of it

NFDC Invites Applications for Production of Films in Indian Languages; Deadline September 8, 2019

IFFI Calls for Entry for Indian Panorama in 50th Edition

Ease of Filming in India

Come, Film In Inida

Why TikTok wants to invest $1 billion in India?

Priyanka Chopra’s The Sky is Pink Set to Premiere in 2019 Toronto Internaitonal Film Festival’s Gala Section

Gitanjali Rao’s Animation Feature Bombay Rose to open Critics’ Week at Venice International Film Festival

76th Venice International Film Festival to Open With Hirokazu Kore-eda’s ‘The Truth’

Indian Cinema’s Soft Power Misses the Mark in Nirmala Sitharaman’s Maiden Budget Speech

Shahid’s Kabir Singh Becomes Top-Grossing Film of 2019

Finance Minister Proposes FDI Norm Relaxation in Media

Media & Entrtainment as Champion Sector Figures in the Economic Survey 2018-19

Indian Cinema’s Steady Rise on Global Stage

Glimpses of the future

IFFI Marching Towards 50th Edition

Cannes or Netflix? Is Netflix an acceptable remediation for Cannes’ decades-long little regard for Indian Cinema?

Play Small & Live Long Did Wonders for Me

Hotstar makes world record: 5.5 million simultaneous viewers

TIFF 2018 Award Winners. Top winner is Peter Farrelly’s Green Book

MAMI & Its Magic

Cinema as an Art Form Will Survive: Dorothee Wenner

Company



About Us

Contact Us

Connect With Us