Nakul Kamte and Eric Hoehn Tune Into Sound Design at IFFI 2024

By Pickle November 23, 2024

From AI to emotional storytelling, two sound maestros decode the nuances of crafting cinematic soundscapes.

At the 55th IFFI in Goa, Nakul Kamte and Eric Hoehn discussed the art and science of sound design. Kamte, a two-time National Award winner, has revolutionized Indian cinema with films like Lagaan and Dil Chahta Hai, while Hoehn, a two-time Emmy winner, is known for The Queen’s Gambit and Deepwater Horizon.

Both experts shared their perspectives on sound technology, its role in storytelling, and the evolving landscape of sound design in the film industry.

The discussion touched on the challenges and opportunities brought about by technological advancements, particularly Artificial Intelligence (AI), on sound design.

Hoehn emphasized the importance of human judgment in sound design, emphasizing that AI presents choices but does not make decisions or interpret the authenticity of performances. The key lies in focus, ensuring that sound elements do not overwhelm the audience but guide them to what the filmmaker intends.

Kamte highlighted the need for maintaining optimal loudness in cinema, as films today often exceed acceptable decibel levels, which can detract from the viewing experience.

The art of sound in horror films was also discussed, with Kamte stating that a strong script can drive a film even in the absence of sound, and Hoehn agreeing on the vital role that music and sound play in shaping the emotional tone of a film.

The evolution of sound syncing with visuals was also discussed, with Kamte tracing its development in Indian cinema and Hoehn highlighting the differences in sound design practices between Hollywood and Indian cinema.

Both experts emphasized the collaborative nature of sound design in filmmaking, with directors providing detailed briefs or references enabling sound designers to align their work more closely with the narrative.

As the session concluded, the experts reflected on the role of sound design in non-native films, emphasizing that sound remains crucial in maintaining the emotional connection, even with subtitles.