
Gajendra Vitthal Ahire’s Marathi masterpiece bridges continents and hearts, spotlighting family, love, and the universal search for belonging.
The 55th International Film Festival of India showcased Snow Flower during its Gala Premiere, where the film’s cast and crew, including the renowned director Gajendra Vitthal Ahire, along with Chhaya Kadam, Vaibhav Mangle, and Sarfaraz Alam Safu, engaged with the media at a Press Conference in Goa.
Snow Flower, a Marathi-language film, tells a poignant, cross-country tale that bridges two distinct cultures — Russia and Konkan. Set against the contrasting backdrops of snowy Siberia and lush, green Konkan, the film explores the ‘distance’ between a grandmother living in India and granddaughter living in Russia. Director Gajendra Vitthal Ahire shared insights into the creative process behind Snow Flower, highlighting the challenges of filming in extreme conditions.
Ahire recounted, “Upon our arrival in Russia, the temperature was a chilling minus 14 degrees. They ensured our well-being by supplying us with essential items such as shoes, clothing, jackets, and even personal care products like soap and shampoo. Their support enabled us to collaborate effectively and honour the narrative appropriately.”
Vaibhav Mangle articulated that the selection of Russia as a setting was intentional, influenced not just by its remarkable geography but also by the cultural differences it presents in comparison to Konkan. The snow-laden vistas of Siberia served as an ideal setting for the profound emotional and geographical rift within the narrative, reflecting the stark contrasts found in the vibrant, tropical Konkan region.
Despite language barriers, the crew managed to communicate effectively, relying on the universal language of filmmaking and mutual respect. Chhaya Kadam, a prominent actress in the film, shared her experience of portraying the contrasts between the two countries, stating that working with Gajendra allowed her to portray the stark cultural differences between Russia and India.
Sarfaraz Alam Safu, a key actor in the film, praised the small crew’s ability to work with minimal equipment and infrastructure. He praised the small crew’s ability to work with minimal resources, even with limited resources, and the emotional impact the film had on audiences. Many Russian viewers, who are here as IFFI delegates, moved to tears during the screenings.
The film offers a stark visual contrast that mirrors the emotional turmoil of the characters. The filmmakers urged the media and audiences to support regional cinema, stating that it is not just about the story of a girl caught between two cultures but also about the universal themes of family, love, and belonging.
Highlights

TIFF Reveals Plans for Industry Conference

Films by Shekhar Kapur and Shubham Yogi Selected for Toronto Gala

A Selection to Die for

Le Musk: A Brave New Frontier in Cinema

The Path finder: Jyoti Deshpande

Toonz to Honour Aabid Surti, Biren Ghose at Animation Masters Summit

India is the Country of Honour at Cannes

RAVINDRA VELHAL: DRIVING MEDIA TRANSFORMATION

THE PATH FINDER: JYOTI DESHPANDE

INTO THE WORLD OF RRR

Powerkids Appoints Manoj Mishra as CEO

Toonz Join Tunche Films to Co-Produce Spanish-Peruvian Animation Feature Kayara

National Museum of Indian Cinema Hosts Vintage Vehicles

I&B Secretary promises Govt’s Support to Film industry

Tom Cruise’s ‘Top Gun: Maverick’ to Blaze at Cannes

Illumination’s Minions: The Rise of Gru is the Annecy Festival Opener

Now, Shoot at Sight in India!

Lata Mangeshkar, India’s Singing Goddess

Quantum Image Making Has Arrived

Indian Films To Look Out For In 2022

2022: Centenary of Indian Cinema Legends

Singing Legend Lata Mangeshkar, Nightangale of India, Dies at 92

Bhushan Kumar’s T-Series Ventures Into OTT Content Creation Space

What’s India Looking for at European Film Market