NFDC organises the Film Bazaar from the 20 – 24 November, every year at the Goa Marriott Resort. South Asia’s global Film Market, the Film Bazaar is a platform exclusively created to encourage collaboration between the international and South Asian film fraternity.
The Bazaar is focused on discovering, supporting and showcasing South Asian content and talent, in the realm of filmmaking, production and distribution.
A converging point for film buyers and sellers from all over the world, the Bazaar also aims at facilitating the sales of world cinema in the South Asian Region.
Film Bazaar has evolved into a one-stop shop for filmmakers, producers, sales agents, distributors, film festival programmers and financiers from around the world; a marketplace that encourages collaboration between the South Asian and international film fraternities.
2018 saw over 1000 delegates from around 38 countries attend the event. The 13th Edition of Film Bazaar will be held from 20th-24 November 2019 at the Marriott Resort in Goa, India.
CO-PRODUCTION MARKET
The Co-Production Market is a platform for curated projects with South Asian themes to find financial and artistic support.
Every year, filmmakers with projects selected for the Market get numerous avenues to connect with Indian and international producers, distributors, sales agents and financiers active in the field of co-production.
Since 2007, the Co-Production Market has consistently brought out notable projects.
In 2018, the market showcased 19 South Asian projects from 7 countries.
The Co-Production Market will be held between 20 – 24th November, 2019 at Film Bazaar, Goa.
ELIGIBILITY
■ Project can be from any country dealing with a South Asian theme
■ Project must be a new feature-length fiction film (min 70 minutes)
■ Project must have both director and producer attached
■ Project must have 25 per cent of the finance in place
■ Projects that have started principal photography are not eligible
Deadline September 30, 2019
email: coproduction@filmbazaarindia.com.
Film Bazaar 2019
Register Now
www.filmbazaarindia.com
NFDC KNOWLEDGE SERIES
The Knowledge Series consists of specially curated presentations, lectures and panel discussions with key decision makers and market drivers of the film industry.
Over multiple sessions during the four days of Film Bazaar, the Knowledge Series covers a wide range of topics including (but not limited to) the evolution of content through changing socio–economic structures, expanding genres, conventional and innovative platforms of distribution, various emerging co-production possibilities, international collaborations and treaties, and the art of navigating various film festivals and markets.
VIEWING ROOM
The Viewing Room aims to present films seeking finishing funds, world sales, distribution partners and film festivals.
The films are viewed on individual computer terminals in private booths via a specially designed Viewing Room software. Film programmers, distributors, world sales agents and investors can watch complete films as well as films that are awaiting completion. They can access details about the respective projects as well as contact the filmmakers through this software.
To create a more user-friendly experience, viewers can choose to view the films on the basis of parameters like duration, language, stage of completion, type and festival history among others. Investors can also choose to view films which have applied specifically for finishing funds.
The Viewing Room allows access only to buyers, financiers, world sales agents and festival programmers.
ELIGIBILITY
■ The Viewing Room is open to all films from India and South Asia
■ The films can be of any length and genre
■ The films can be complete or in any stage of post-production
■ Ideally, these films should be seeking finishing funds, world sales, distribution partners and/or film festivals
■ The last date of submission of completed applications is September 16, 2019
email: films@filmbazaarindia.com
FILM OFFICES
Introduced in 2014, Film Offices, provide State Tourism bodies a platform to showcase their locations and incentives to filmmakers attending Film Bazaar.
Since Film Bazaar is attended by directors, producers, financiers, distributors, sales agents and film festival programmers from across the world, Film Offices is a great opportunity for Tourism bodies to connect with the Indian and International film fraternity. It brings to filmmakers the world of picturesque locations from across India, that would fit into their scripts and add value to their films. The aim is to ensure that the Film Offices are able to pitch their locations to all leading filmmakers.
The Film Offices connect the State Governments with industry stakeholders such as Indian and International Producers, Indian Directors and Industry Executives from India and abroad, through structured meetings and participation in the Knowledge Series. The States through their Film Offices, highlight their film policy and their endeavor to make filming a smooth affair, showcase their locations and acquaint the filmmakers and the fraternity about the incentives/rebates/subsisdies offered for filming in their respective jurisdictions. The Industry on the other hand, gets an opportunity to sensitize the State Governments with regard to the to the needs of the film industry, the various challenges faced by them during filming in locations and the consequent economic impact that film shootings have on the local economy.
This initiative, is in collaboration with the Film Facilitation Office and is of mutual benefit to both the filmmaker and the State.
email: filmoffices@filmbazaarindia.com
Highlights
Berlinale Forum Celebrates Golden Jubilee in 2020
Uday Shankar forms New Tech and Media Venture with James Murdoch
Berlinale 2020 Poster Unveiled
CII Seeks Industry Status for M&E in Union Budget
51st IFFI Will Capture New Narratives in Cinema
15 Films Compete for Golden Peacock at #IFFI51
Top IFFI Picks: Another Round, Mehrunisa, Wife of A Spy
Hybrid IFFI From January 16
CII BIG PICTURE SUMMIT 2012: Growth Triggers From Ronnie
What Media Guru Amit Khanna Said in CII BIG PICTURE SUMMIT 2012
LATAM Market Ventana Sur from November 30
Blue Efficience Roped in For Ventana Sur
Films to watch @ Ventana Sur
India Rolls out Red Carpet to Foreign Filmmakers
Ramesh Sharma’s New Documentary Film on Gandhi at AFM
The Warrior Queen of Jhansi at AFM
With Film Visa, Global Producers Can Now Shoot in India
www.cinemarket.io – Buy, Sell & Engage
Embracing Cinema Through Screens of all Sizes
Nomadland wins People’s Choice at Toronto
MIPCOM 2020 Goes Entirely Online
South Korea will be MIPCOM 2020 country of honor
India, the Window of Opportunity
Get Ready for Hybrid IFFI
Film Making Centres of India
Get Your Film Take Wings at Virtual Film Bazaar
Make at least Ten co-productions in a year
Filmmakers Should Make use of India-Canada Treaty
TIFF: The Show and Business Goes on
Navigating Toronto Film Festival and Industry
Make in India, Show the World
Be Part of the Pickle India Focused Toronto Edition
ads2OTT set to Launch in Oct 2020
MovieSaints to release Memories of a Forgotten War
Truth Is Dead
Submissions Open For Berlinale Co-Production Market
Gender Equality-Berlinale Eliminates Silver Bear for Best Actor and Best Actress
All3Media, A+E Networks, BBC Studios, ZDF Join MIPCOM 2020 Global UPFRONTS Lineup
NürnbergMesse’s Content India Show from October 29-31
Berlinale 2021 Will be a Physical Festival; EFM in Hybrid Format
Best of 2020: A Dazzling Dozen
Striking the Right Chord
Ishaan Khatter looking ‘beyond clouds’ with promising upcoming projects
IFFI 2020 Adopts Hybrid Online-Physical Edition
India Unbound
20 Films That Make us Believe Freedom is Priceless
Krishna Janmashtami Special
National Education Policy: Game Changer
18 Must-See Films at Venice 2020
Ayushmann Turns Athlete
Indian Trio in Venice
Blockchain: The Future is Now
Not right time to open cinema halls: Ravi Kottarakara
Meet, ERICA. AI Actor in a SCI-FI Film
Vidya Balan Set to Shine as Shakuntala Devi
Straight Answers From Alexander Shulgin
Content is king for Saregama’s Yoodlee
Nuggets From Animation Thought Leaders
NYIFF Takes Virtual Route
From The Heart Of Disney
New Model of Filmmaking in India
My Journey: How I Did It
Animation in the Age of Art & Tech
Making Filming in India More Easy
Gaurav Banerjee: Star Unveiled
FDI cap of 26% for News Aggregators Under Consideration
The Changemaker
COVID-19 has Accelerated Digital Shift Towards Across Sectors
No Business as Usual for Film Industry
What’s Wrong With our News Media Today ?
The Fire Inside Regina
Gaming Industry Braves Covid
Disney +Hotstar Leads the Disruption
Taapsee’s takes on OTT, Nepotism & Covid
Oscar Invites QUBE’s Senthil Kumar to be its Member at Large
What’s New Search Engine Neeva Can Do That Google Cannot?
The New Oscar Award Date April 25, 2021
India to Offer Incentive Package for Film Shoots and Co-Production
‘NFDC Film Bazaar Goes to Cannes’
Strings of Genius
A Ray That Still Lights The Way
Best of the Cannes Official Selection 2020 Films
Most Awaited Films of India
56 Films: Cannes Reveals 2020 Lineup
The Making of Cannes 2020 Film Selection Process
Cannes Virtual Film Market Extends Earlybird Registration to June 12
Take a Look at Annecy Competition Lineup
Getting Back to Business, Reveals Media Consumption Pattern
Cannes 2020 to Announce Festival Selection Lineup on June 3
20 Work in Progress Tiltles Unveiled for Goes to Cannes
Annecy VR Works Selections for Digital MIFA Market
Film Bazaar’s Work in Progress Films from India Goes to Cannes Virtual Market
Navigating Virtual Cannes Film Market 2020
Meet the Streamers: HBO Max & Quibi Keynotes at Cannes Virtual Film Market
Dedicated Cannes XR Virtual Edition from June 24-26
Screen Moms; Best Movies to Stream on Mother’s Day
Vijay Deverakonda: The Lovable ‘Rowdy’
Sai Pallavi: Natural Beauty is a Natural Actor Too
Cannes Virtual Film Market Registration Opens May 13
COVID-19: Nuggets from Netflix’s Ted Sarandos on Filming and Safety Protocols
Maitreyi Ramakrishnan is New Sensation in Netflix Original Series Never Have I Ever
The Best Movies of 2001-2019 Not Streaming in OTT Platforms
Best Movies of the New Millennium Streaming Now
Best Movies of the New Millennium Streaming Now
Best Movies of the New Millennium Streaming Now
Best Movies of the New Millennium Streaming Now
Best Movies of the New Millennium Streaming Now
Annecy Unveils Virtual Film Festival and Market in June
Roskino to Host Russian Virtual Digital Content Market from June 8
27 Rishi Kapoor Films to Stream at Home Now
Virtual Nab Show Express will Take Place May 13-14, 2020
51 International Film Festival of India, Goa ( 20 -28 November, 2020)
Films to Watch in 2020
Christopher Nolan Films Tenet in Mumbai
A Call From Uttarakhand For Filmmakers Of The World
FFO Rolls Out Red Carpet For Foreign Filmmakers
INDIA@BERLINALE-Indian Cinema’s Voices Emerging
51st IFFI TO Mark Satyajit Ray’s Centenary Celebrations
Infusing Life With Dubbing AT VR Films & Studios
Sailing well in Animation Waters
Berlinale 2020: India’s Laila Aur Satt Geet Selected for ‘Encounters’ Section
Prateek Vats’ Eeb Allay Ooo! in Berlinale Panaroma
Berlinale Shorts: Ekta Mittal’s ‘Gumnaam Din’ to showcase of pain of separation
Berlinale Talents: Seven Indians Make It to the List
My Salinger Year is the Opening Film at 70th Berlinale
GET READY for EUROPEAN FILM MARKET 2020
BERLIN FILM FESTIVAL 2019 WINNERS
British Actor Jeremy Irons Will Be the Jury President of Berlinale 2020
Amit Khanna: The Renaissance Man
Fantastic Friend
THE MEDIA GURU-AMIT KHANNA
STRAIGHT ANSWERS FROM AMIT KHANNA
THE DEFINING DECADE -THE 1990s
10 Achievements of Amit Khanna
Reflections on Amit Khanna
Valuable Moments
India Enchants John Bailey
The Big Bachchan of Bollywood
ETERNAL SUPERSTAR: RAJINIKANTH
IFFI 50 & Fantastic-Lifetime Achievement Award to Isabelle Huppert
INDIA’S FLAGSHIP FILM FESTIVAL TURNS 50
BACK IN BUSINESS WITH A BANG
GET THE BEST OUT OF FILM BAZAAR 2019
Transforming Hollywood from pixels to voxels
Government of India committed to Safeguard IP content: Commerce Secretary
Must do Things at AFM
Why India Attracts Foreign Filmmakers
Pickle at MIPCOM 2019
INDIAN COMPANIES AT MIPCOM
Super Audio: Licensed to Thrill
Jungle Book Season 3 Ready
Issuance of VPL in India
Editor’s Note: 44th Toronto International Film Festival Pickle Sept 2019 Edition
The OSCAR RACE begins HERE…
Seven Indian Indie Filmmakers To Watch
Indian Cinema Of Today: A Culturally Responsive Artifact
Indie Resurgence
Indian Films At Toronto a Sparkling Quartet
IFFI Matters @ 50
Four Indian Films at the Toronto International Film Festival 2019
India Pavilion at Toronto International Film Market 2019
Made in Afghan Film ‘Hava, Maryam, Ayesha’ To Compete at Venice Festival
Keerthy Suresh: The Mahanati of Mahanati. Best Actress, National Film Award
Uttarakhand Bags National Award for Most Film Friendly State
66th National Film Awards Winners for 2018
Watan Adds Colour to Indian Independence Day
dream hampton and Brie Miranda Bryant to Feature in MIPCOM’S Women in Global Entertainment Lunch 2019
Making a Song and Dance of it
NFDC Invites Applications for Production of Films in Indian Languages; Deadline September 8, 2019
IFFI Calls for Entry for Indian Panorama in 50th Edition
Ease of Filming in India
Come, Film In Inida
Why TikTok wants to invest $1 billion in India?
Priyanka Chopra’s The Sky is Pink Set to Premiere in 2019 Toronto Internaitonal Film Festival’s Gala Section
Gitanjali Rao’s Animation Feature Bombay Rose to open Critics’ Week at Venice International Film Festival
76th Venice International Film Festival to Open With Hirokazu Kore-eda’s ‘The Truth’
Indian Cinema’s Soft Power Misses the Mark in Nirmala Sitharaman’s Maiden Budget Speech
Shahid’s Kabir Singh Becomes Top-Grossing Film of 2019
Finance Minister Proposes FDI Norm Relaxation in Media
Media & Entrtainment as Champion Sector Figures in the Economic Survey 2018-19
Indian Cinema’s Steady Rise on Global Stage
Glimpses of the future
IFFI Marching Towards 50th Edition
Cannes or Netflix? Is Netflix an acceptable remediation for Cannes’ decades-long little regard for Indian Cinema?
Play Small & Live Long Did Wonders for Me
Shooting Locales in India – Goa
Pickle October 2013 Edition
Toronto Film Fest Facts: 343 Films, 83 Countires, 3,100 Pounds of Popcorn Kernel