In 2008, Danny Boyle’s Slumdog Millionaire, a loose adaptation of diplomat-turned-writer Vikas Swarup’s Q & A, screened at TIFF after its Telluride world premiere. It was an instant hit, with the audience at the press and industry screening of the film transfixed by the energy and momentum of the film. Not a soul left the hall as the closing song, the Oscar-winning A.R Rahman-composed Jai ho, played on the screen, a sure sign that there was something in the film that had captured the imagination of the viewer. The film, shot in the slums of Mumbai and revolving around an 18-year-old impoverished but spirited lad played by Dev Patel in his screen debut, won the TIFF People’s Choice Award, which set it on course for major Oscar triumph. It won eight Academy Awards, including for Best Picture, Best Director and Best Adapted Screenplay (for Simon Beaufoy). Slumdog Millionaire, lensed by Anthony Dod Mantle, was the first digitally shot film in history to win the Best Cinematography Oscar. Besides Dev Patel, the cast included Freida Pinto, Anil Kapoor and Irrfan Khan. In the wake of its global success, the film divided audiences, critics and academics, with many critiquing it for peddling “poverty porn” and promoting a problematic “end-justifies-the-means” philosophy. But that made no dent in the film’s popularity. The chord that it struck with audiences probably had something to do with the incredible story that it told – that of an underdog negotiating severe hardships and yet not keeling over in a time in which the real world was struggling with a severe financial meltdown triggered by unbridled corporate greed and the US subprime mortgage crisis.
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