TIFF 1994 and TIFF 2012 showcased India and Mumbai respectively with large selection of films. In 1994, at the festival’s 19th edition, programmers Noah Cowan and David Overby curated a 22-film package under the rubric “India Now!”. It consisted of 14 narrative features and eight documentaries ranging from Anand Patwardhan’s two-hour-long Father, Son and Holy War to the six-minute Tragedy of an Indian Farmer, made by Murali Nair.
The films that constituted the “India Now!” selection in 1994 were: Shekhar Kapur’s Bandit Queen (opening night), Goutam Ghose’s Patang, Bharathan’s Thevar Magan (Tamil, written and produced by and starring Kamal Haasan), Dev Benegal’s English, August, Nabyendu Chatterjee’s Shilpi (The Dreamer, Bengali), Adoor Gopalakrishnan’s Vidheyan (The Servile, Malayalam), K.P. Sasi’s Ilayum Mullum (Leaves and Thorns, Malayalam), Dilip Ghosh’s Aadhi Haqeeqat Aadha Fasana (Children of the Silver Screen), Jill Misqitta’s The Clap Trap (about Hindi cinema junior artistes), Father, Son and Holy War, Buddhadeb Dasgupta’s Charachar, Tragedy of an Indian Farmer, Reena Mohan’s Kamlabai, Bikramjit “Blondie” Singh’s Bollywood (based on Shashi Tharoor’s ‘Show Business’), Riyad Vinci Wadia’s Fearless: The Hunterwali Story, Ruchir Joshi’s Tales from Planet Kolkata, Pankaj Butalia’s When Hamlet Went to Mizoram, Raja Mitra’s Ekti Jiban (Portrait of a Life, starring Satyajit Ray collaborators Soumitra Chatterjee and Madhabi Chakrabarty), Sudhir Mishra’s Dharavi, M.T. Vasudevan Nair’s Kadavu (The Ferry, Malayalam), G. Aravindan’s Marattam (Masquerade, Malayalam) and Abbas-Mustan’s Baazigar (starring Shah Rukh Khan and Kajol).
These films apart, the TIFF 1994 lineup had Mani Ratnam’s Thiruda Thiruda, Ismail Merchant’s directorial debut In Custody and Indian-born Canadian documentarian Ali Kazimi’s Narmada: A Valley Rises.
In 2012, the year in which the current CEO of TIFF, Cameron Bailey, was appointed the festival’s artistic director, Mumbai was under the spotlight in the short-lived City to City programme. The segment was made up of ten narrative features:
The City to City: Mumbai films were: Habib Faisal’s Ishaqzaade, Mohit Takalkar’s The Bright Day, Anurag Kashyap’s Gangs of Wasseypur Part 1 & Part 2 (picked from Cannes Directors Fortnight), Ashim Ahluwalia’s Miss Lovely (from Cannes Un certain regard section), Manjeet Singh’s Mumbai Cha Raja, Vasan Bala’s Peddlers (from Cannes Critics Week), Hansal Mehta’s Shahid, Dibakar Banerjee’s Shanghai and Anand Gandhi’s Ship of Theseus.
Highlights
TIFF Reveals Plans for Industry Conference
Films by Shekhar Kapur and Shubham Yogi Selected for Toronto Gala
A Selection to Die for
Le Musk: A Brave New Frontier in Cinema
The Path finder: Jyoti Deshpande
Toonz to Honour Aabid Surti, Biren Ghose at Animation Masters Summit
India is the Country of Honour at Cannes
RAVINDRA VELHAL: DRIVING MEDIA TRANSFORMATION
THE PATH FINDER: JYOTI DESHPANDE
INTO THE WORLD OF RRR
Powerkids Appoints Manoj Mishra as CEO
Toonz Join Tunche Films to Co-Produce Spanish-Peruvian Animation Feature Kayara
National Museum of Indian Cinema Hosts Vintage Vehicles
I&B Secretary promises Govt’s Support to Film industry
Tom Cruise’s ‘Top Gun: Maverick’ to Blaze at Cannes
Illumination’s Minions: The Rise of Gru is the Annecy Festival Opener
Now, Shoot at Sight in India!
Lata Mangeshkar, India’s Singing Goddess
Quantum Image Making Has Arrived
Indian Films To Look Out For In 2022
2022: Centenary of Indian Cinema Legends
Singing Legend Lata Mangeshkar, Nightangale of India, Dies at 92
Bhushan Kumar’s T-Series Ventures Into OTT Content Creation Space
What’s India Looking for at European Film Market