Highlights

Kanjoos Makhichoos

Published on : October 24, 2024

The innovative Creator Lab debuts at the 2024 NAB Show

Berlinale Talents: Emerging Filmmakers set to steal the show

Creativity Finds Its Stage at WAVES 2025

Dhurandhar: The Revenge Rewrites BO Records

‘2018-Everyone is a Hero’ is India’s official entry for Oscars

Omar Kaczmarczyk and Hilary Clay Hicks — Understanding IP Asset Management in 21st Century

TIFF@50: Celebrating World Cinema’s Awards Season Pacesetter

Amit Khanna is a Treasure Trove of Anecdotes

A First for NAB: AI Robot Takes Center Stage at Keynote

Why Design Matters in Collaboration, Commissioning, and Co-Production

Uttarakhand Bags National Award for Most Film Friendly State

What Media Guru Amit Khanna Said in CII BIG PICTURE SUMMIT 2012

Pickle Feb 2018 Berlinale EFM Edition

Rakesh Roshan: The Reinventor of Bollywood

For IFFI 2024, Goa Extends a Warm Welcome

IIT Madras to Host India’s First Academia-Industry XR Summit

NürnbergMesse’s Content India Show from October 29-31

dream hampton and Brie Miranda Bryant to Feature in MIPCOM’S Women in Global Entertainment Lunch 2019

India Gaming Conclave: Mapping out Industry’s Surge and Future Vision

WAVES 2025 Reports: India’s M&E Power Play to be Revealed

Pickle July 6-12 2020 FICCI FRAMES Curtain Raiser Edition

INNOVATION CRITICAL FOR FUTURE OF INDIAN M&E

MIPTV Market Confirms Over 100 Exhibitors For 2024

Pickle MIPTV April Edition 2024

Pickle October Mipcom Issue 2019

Ready to Disrupt: Women to Set the Agenda at WAVES

CBFC Certifies 72,000 Films, Backs Creativity

IFFI 2024 Complete List of Award Winners

Nakul Kamte and Eric Hoehn Tune Into Sound Design at IFFI 2024

CII M&E Global Investor Meet-Connecting Capital with Creativity

FCC Chairwoman Jessica Rosenworcel to Hold Fireside Chat at 2022 NAB Show

10 Things to Look Forward at IFFI 2024 in Goa!

Shibashish Sarkar’s IMAC Raises $200 Million IPO, Lists on NASDAQ

IFFI Immensely Contributed to Indian Cinema

India Rolls Out Attractive Incentives For Global Film Production

Phoebus Creations Media

France To Be Country Of Honour at MIPTV 2019

Navjyot Bandiwadekar Wins Best Debut Director for Marathi film ‘Gharat Ganpati’

Navigating Toronto Film Festival and Industry

IFFI 2024: Celebrating the Spirit of Young Filmmakers – The Future is Now

Film Bazaar 2024: Connecting Creative Minds Globally

Unleashing Next Gen Virtual Production 3.0

Roberto Benigni to Get Golden Lion at Venice For Lifetime Achievement

Advantage India for Global M&E Innovation

Most Awaited Indian Films To Hit Screens In 2023-24

Mani Ratnam’s Masterclass: Bridging Literature and Cinema

EFM 2026 Expands with Animation Days, Innovation Hub, and New Talent Platform

TIFF’S 2018 Master Slate Shine With new Works by International Legends

Special Ops: Lioness| Jio Cinema| D:Taylor Sheridan| July 23

Shamboo Phalke — How to Avoid Pitfalls During IP Development

Paradigm Shift: India’s Incentive Boost for Docs, TV Series

Anthon Muller Unveils Barco’s HDR Innovation at the 55th IFFI

Toonz Join Tunche Films to Co-Produce Spanish-Peruvian Animation Feature Kayara

India’s Sameer Nair to share insights at AFM

MIB Pavilion Emerges as India’s Premier AI Innovation Workspace at India AI Impact Summit 2026

Khadi, Drones & Digital Dreams Weave the New India

CII Announces Global M&E Investor Meet in collaboration with WAVES Bazaar at 12th BIG Picture Summit-2025

IGNITING THE SCREEN WITH UNSTOPPABLE ENERGY

Sand, Stars, and Cinema: Pattnaik’s Tribute Takes Shape at IFFI

Centre Strengthens OTT Safeguards for Children

Ketan Mehta, Nina Sabnani To be honoured at Animation Masters Summit 2021

Pickle Berlinale EFM Issue Feb 2022

Vasan Bala’s The Man Who Feels No Pain wins People’s Choice prize at Toronto International Film Festival

India and Vietnam to Collaborate in Digital Media

When Muzaffar Ali and Shaad Ali Turned Family Memories Into Movie Magic at IFFI

76th Venice International Film Festival to Open With Hirokazu Kore-eda’s ‘The Truth’

Northeast to Ladakh: Non-Feature Films Take Centre Stage at IFFI 2024

The Next 100 Years of Innovation via Collaboration Continues at NAB Show

Cris Abrego And Eva Longoria Set to Deliver Keynote at MIPCOM Cannes

Tamil Filmmaker R Gowtham Makes Waves at Berlinale Forum with Debut ‘Members of the Problematic Family’

Bengaluru: A Century in the Making, A Future in Acceleration

Madhu Entertainment is at MIPCOM with Govind Nihalani’s Animation Film UP UP & UP

news letter daily — Media News Digest June 22, 2021

I&B Secretary promises Govt’s Support to Film industry

TIFF to Launch Official Content Market in September 2026

Digital Takes Center Stage: Karan Taurani on the Future of India’s M&E Industry

Mighty Little Bheem — Indian IP Case Study India’s Chhota Bheem Gets Big Global Reach

Berlinale 2022: Meet the International Jury

ZEE conducts its first-ever Metaverse Induction Program

The Eternal Hero: Dharmendra (1935–2025)

Pickle august 2013 digital issuu

Veteran Chinese Director Zhang Yimou to get Lifetime Achievement Award at Venice Film Festival

Toonz to Honour Aabid Surti, Biren Ghose at Animation Masters Summit

Pickle Berlinale EFM Issue Feb 2020

AVGC THOUGHT LEADER – Pioneering the Transformation of AVGC in India

MIPTV to Feature David Beckham’s first TV keynote

Trans Love Story ‘Lala & Poppy’ Premieres at IFFI Goa

IndiaCast’s Drive for Global Content Dominance

Register Now for NAB Show 2025. Launches Sports Summit

CII Big Picture Summit Ventures to Goa in 2025

2022 Venice International Film Festival Winners

With Film Visa, Global Producers Can Now Shoot in India

Industry Transformation Expert Mark Endemano to Give Opening Keynote at MIPTV

TIFF Announces 2024 Tribute Awards Honorees and Inaugural Honorary Chair

Tamil Film Pebbles by Vinothraj Wins Tiger Award at Rotterdam

Must-Meet Indian Delegates at MIPCOM 2024

Pickle GAFX Feb 2026 Edition

Jim Jarmusch’s ‘The Dead Don’t Die’ to Open Cannes Film Festival

Chandrajit Banerjee Outlines Six-Point Skills Blueprint

Robbie Robertson Doc ‘Once Were Brothers’ to Open 2019 Toronto International Film Festival

India’s Largest Media Merger gets CCI Nod

Biren Ghose, Country Head, Technicolor India, Behind the scenes

Focus on Education & Skills: Biren Ghose

The Best Movies of 2001-2019 Not Streaming in OTT Platforms

India @ Toronto – 8 Films by Buddhadeb Dasgupta

Pickle Biren Ghose Special Issue

Taapsee’s takes on OTT, Nepotism & Covid

TIFF and Indian Indies go Back a Long Way

WAVES Film Bazaar 2025: Powering South Asia’s Cinematic Future

Happy Birthday Allu Arjun-Top Films to Watch

IICT, Deakin University Sign Academic Partnership at IFFI 2025

SPROCKIT Announces First Round of Startups at NAB SHOW 2019

Pandemic Compelled Us To Think Global — Interview With CEO: How Toonz Animation Braved Covid-19

How Generative AI Is Revolutionizing Content Production

Lithuanian Film Toxic Wins Golden Peacock at IFFI 2024

A.R. Rahman Amplifies Nagaland’s Musical Renaissance

MIPCOM Cannes 2022: Media Mastermind Keynote by Charles Collier, CEO FOX Entertainment

Dedicated Cannes XR Virtual Edition from June 24-26

Finance Minister Proposes FDI Norm Relaxation in Media

Cinematographers Should Approach Every New Film as Their First Film: John Seale

Why TikTok wants to invest $1 billion in India?

Indian star at Berlinale – All in Allu Arjun

Hyderabad: Transforming Into India’s AVGC Powerhouse

A Craftsman and Storyteller Par Excellence

COVID-19: Nuggets from Netflix’s Ted Sarandos on Filming and Safety Protocols

51 International Film Festival of India, Goa ( 20 -28 November, 2020)

Venice Unveils Opening Films for Orizzonti Sections

Golden Peacock Award Celebrates Excellence in Global Cinema

Manikarnika The Burning Ghat Of Varanasi

Streaming Films — Stream These 11 Films in July 2021

NAB Show Surpasses 900 Exhibitors as Industry Returns to Face-to-Face Business

Do You Know Who Made Annecy 2021 Poster?

2023 Berlinale Co-Production Pitching at CinemaxX

EFM Constantly adapts to Change to Stay Relevate

Delhi Prepares to Host CII SummitFX 2022

NAB Show 2022: Self-Guided Tour of All Things Data, AI & Automation

Netflix unveiles mobile plan for India at Rs 199

Pickle May 2014 Cannes India Special Issue

Our Strength is Emotions : Avtar Panesar

A R Rahman's Covid 19 Anthem goes Viral — A R Rahman’s Covid-19 Anthem Resurfaces in Social Media

In Just 48 Hours, CMOT 2024 Champions Shine Bright at IFFI

Shaping Tomorrow’s Narrative: Co-Production Films at Film Bazaar 2024

BBC@100: Inaugural Studio of Distinction Award at MIPCOM CANNES

China is the Country of Honour at MIPCOM CANNES 2023

Karunanidhi: A Great Scriptwriter, Poet & Patron

Pickle May 2014 Cannes Film Festival Edition

Sindoor Ki Keemat 2 – The Price of Marriage 2

MIFF 2024: Elevating Indian Doc and Short Films to Global Stardom

Cannes Film Market — India at Cannes 2021

Pickle September 14-21 Issue

FFO Rolls Out Red Carpet For Foreign Filmmakers

Takeaways from the Success of WAVES 2025

Hyderabad is Fast Becoming a Global Creative Powerhouse

My prediction would be that there are quite some healthy windows for Print, Radio and Television in India: Media Futurist Gerd Leonhard

Jammu and Kashmir: A New Era for Filmmaking with the 2024 Film Policy

Pooja Sharma, Chairperson, Sikkim Film Promotion Board — Sikkim, the Paradise of Filmmakers

CII SUMMIT FX 2021 INAUGURAL — Nuggets and Highlights from the CII Summit FX 2021

Netflix 2024 Slate: A Bold Vision for Diverse and Captivating Entertainment

India has Unique Role in Global Gaming: Rajan Navani

Thanu For Making Producers’ Mission Possible

Time to Plan for Reimagined 2022 NAB SHOW Experience

Transparency at Core of Vista”s Business Practices

Prithvi Vallabh – Itihaas Bhi, Rahasya Bhi

Chandrakant Singh is Looking for a Coproduction Partner at Berlinale

Rose Adkins Hulse, Founder and CEO Of ScreenHits TV — Redefining Streaming Experience

TIFF 2018 Award Winners. Top winner is Peter Farrelly’s Green Book

India’s Young Minds Reinvent Learning at WAVES 2025

Pickle August 31 Issue

Will OLU be India’s Comeback Film at Cannes 2018

Pickle@Cannes: Getting Ready for India Focussed Digital Film Market Edition

Creativity Unleashed: Inside WAVES Film Bazaar

Better Man: A Musical Journey Opens 55th IFFI

IFFI 2024 Panel Discussion: AI & Filmmaking. Look at What Shekhar Kapur Says

TIFF 2026 and Beyond: A Cultural Institution for the Ages

DQE Ties up with Sinclair for Jungle Book at MIPCOM

Embracing Co-Production: Expanding Global Reach and Enhancing Cultural Representation

Pickle April 2024 NABSHOW Issue

TIFF Discovery Programme Unveils Rich Lineup

Pickle August 2025 Edition

Shaping Tomorrow’s Narrative: Work-in-Progress Films at Film Bazaar 2024

MIPTV honours A+E Networks president Paul Buccieri

Krafton India CEO Urges Support for Developers

Private FM Radio Growth Drivers, Challenges, Way Forward

Cannes Virtual Film Market Registration Opens May 13

Pickle India Joy November 2025 Edition

Headcount Is Finite: Compute Is Exponential

Get Set for Fremantle’s Vision at MIPCOM Cannes 2022

Vidya Balan Set to Shine as Shakuntala Devi

Cameron Bailey: The Bridge Between Indian Cinema and TIFF

Innovation is Inevitable in M&E Sector: Prof Raghunath

Sync| Aha Tamil| Horror Thriller Film| D:Vikas Anand Sridharan| July 21|

SEPC: India @ MIPCOM 2019 Directory

Content Flow Studios Unveils an International Six-Film Slate at IFFI

Cannes Virtual Film Market Extends Earlybird Registration to June 12

Pickle Nab Show April 2014 Issue

Pinaki & Happy – The Bhoot Bandhus (The Friendly Ghosts)

Indian Cinema Of Today: A Culturally Responsive Artifact

Restorations & Revelations: India’s Berlinale Blitz

Pickle Berlin Edition

Is Man no More at Home on Earth? Is Cinema no More at Home in Theatres?

Indian Stars Steal The Spotlight @ Cannes Red Carpet

Annecy Festival – Six Decades Of Recognition

Pickle October 2024 Edition

Producers Need to be Passionate, Pragmatic: British Filmmaker Stephen Woolley

From Berlin to Mumbai: NFDC Spotlights MIFF 2026 as India Leads Narrative at EFM

NAB Show Takes Content Creators Behind The Scenes of Hit Film, Television Productions

Free Speech, and Cinema: Berlinale’s Artistic Director Tricia Tuttle’s Stand in a Divided World

Indian Films at TIFF- Official Selection 2025

Make at least Ten co-productions in a year

ZEE’s Punit Goenka wins IAA’s Game-Changer of the Year Award

Ishaan Khatter looking ‘beyond clouds’ with promising upcoming projects

Zee Studios Sets Cash Register Ringing, Collects Rs 375 cr Worldwide

A Game-Changing Future for India’s AVGC-XR Industry

Risk-Taking, Tech and the Power of Diverse Storytelling to be Debated at TIFF Industrty Conference

Shooting Locales in India – Chhattisgarh

Pickle Cannes June 2022 Edition

30 Glorious Years – ZEE@MIPCOM: Expanding India’s Global Content Footprint

TAKEAWAYS FROM AMERICAN FLIM MARKET 2019

Cannes Calls Japan: 2026 Country of Honour

Gaming for Good is about impact beyond play: Rajan Navani

WAVES of Change: PM Pitches Culture as Next Big Export

Shekhar Kapur’s Masterclass Goes Future-Forward

Competition Commission of India Gives nod to Takeover of Rupert Murdoch’s Star India Assets

Pickle July 27 Issue

Venice Names International Juries for Orizzonti and Debut Film Awards

NAB Show 2025 Spotlight: Creator Economy

Karnataka Centre of Excellence: Redefining Indian AVGC Sector

Rahman’s LeMusk Nominated for PGA Innovation Award

BCG’s Crystal Ball: Creators to Rule India’s $1 trillion Market

Summary of Media Business News July 21,2023

Immersive Move: Festival de Cannes bets on Extented Reality

Shooting Locales in India – Dadra and Nagar Haveli

TIFF Announces Global Advisory Committee for 2026 Content Market

Ashwini Vaishnaw Inaugurates ‘WAVES Creators’ Corner’ at India AI Impact Summit 2026

India’s AVGC-XR Industry Poised for Global Dominance

Claps & Cheers: Sivakarthikeyan Finds Solace in the Spotlight

The International Juries of Generation 2023

Pickle Biren Ghose 2021

EFM 2026: Where Film Markets Meet the Multiverse

Cannes Virtual Film Market From June 22-26

ANR Virtual Production Stage Leads The Way in India

Pickle February Berlin Issue 2023

Berlinale Talents: Seven Indians Make It to the List

Berlinale Shorts: Ekta Mittal’s ‘Gumnaam Din’ to showcase of pain of separation

Fauda S4 will premiere at the 53rd International Film Festival of India (IFFI)

An Obsessionist’s take on IFFI’s Evolution

ZDF Studios to Partner on 2024 MIPFORMATS PITCH

India’s M&E engine is ready: All systems go

Breaking Barriers: IFFI 2024 Redefines Inclusivity in Cinema

India is World’s Most Film Passionate Country

IFFI Calls for Entry for Indian Panorama in 50th Edition

Transforming Marketing Models is Top Priority: Accenture

Cinema’s Greatest Hits: TIFF’s Legacy Collection

Karnataka as the Turbo-Charge of India’s Orange Economy

India Rolls Out Red Carpet to Global Filmmakers

India Poised for Rapid Growth in Global M&E Sector: PwC Report

Film Bazaar 2023: A Tapestry of Cinematic Brilliance

Pickle — India focussed Berlinale-EFM Feb 2019 issue

COVID-19 has Accelerated Digital Shift Towards Across Sectors

How Streaming Platforms Helped Entertainment Business During Pandemic

Manoj Bajpayee Unveils the Grit and Glory of Despatch at IFFI 2024

Asghar Farhadi’s ‘Everybody Knows’ to Open Cannes Film Festival

Time is Ripe for India: Munjal Shroff on Co-Productions and Globalising Indian IPs

Bobby Bedi — Intellectual Property in India is Coming of Age

Indian Cinema’s Soft Power Misses the Mark in Nirmala Sitharaman’s Maiden Budget Speech

10 things to look for in Shaunak Sen’s All That Breathes

Reel Mastery: Ramesh Sippy’s Timeless Quest for Perfection

Chandlo| Jio Cinema| Gujarati film| D:Hardik Gajjar| July 22

Ramesh Sharma’s New Documentary Film on Gandhi at AFM

India Goes Down to 53rd Position in Netflix Speed Test

India Courts The World: IFFI Ambassadors’ Roundtable Paves The Way For Global Film Collabs

Projects called for Cannes XR VeeR Future Award. Deadline April 23

Anime, VFX, and Gaming: The Creative Surge of India

NAB show and StoryTech to introduce three unique attendees tour

Berlinale Series Market Returns to Potsdamer Platz

We wanted Goa to remember 50th IFFI ESG CEO Amit Satija

Pickle special CII Big Picture Summit 2014 Edition

What’s Happening to Medium Budget Cinema?: Bobby Bedi

Pandit Ravi Shankar: The God Father of World Music

Juries for Perspektive Deutsches Kino 2023

Opportunity Now Scales Through Policy, Not Just Passion

Pickle December 2015 IFFI Special

Are Multiplexes Temples of Cinema or Churches of Ads and Snacks?: Pierre Assouline

Cannes’ Bollywood Pioneers: Remembering The Hinduja Legacy

Waves Film Bazaar 2025: A Win for Indies, a Vision for Global Cinema

Chariot of the Gods – Jagannath Puri Rath Yatra

50 FILMS That Changed Bollywood — As Shubhra saw it…

Stella Dallas by Henry King is the Pre-Opening Night Film at Venice

Waves Bazaar: Berlin Gets a Taste of New India Cinema

Pickle September 2017 India@Toronto issue

Pickle May Cannes Issue 2024

Films by Shekhar Kapur and Shubham Yogi Selected for Toronto Gala

Pickle April 2021 Edition

ETERNAL SUPERSTAR: RAJINIKANTH

10 THINGS TO LOOK FORWARD TO @ BERLINALE EFM 2023

Four Indian Films at the Toronto International Film Festival 2019

Pickle September 2014 Toronto Edition

Masters to Speak Out at Animation Masters Summit 2021

Pickle September 21-27 Issue

MADHYA PRADESH: A Filmmaker’s Dream Destination

Hanu-Man Like Figures are Celebrated Globally: Teja Sajja

Biren Ghose: Sparking the AVGC-XR Revolution in India with ABAI

Sunflowers Were the First Ones to Know is Inspired by Folklores: Chidananda S Naik

Virtual Production Creating in India for the World

India’s Rise as a Global Hub for Audio-Visual Excellence

IFFI 2020 Adopts Hybrid Online-Physical Edition

Chennai Set to Roll the Dice on VEGAS Fest 2024

I&B Ministry Recognises Gaming as Valuable Industry

Pickle August 17-23 Issue

NFDC Film Bazaar’s Co-Production Projects at Cannes Film Market

Annapurna Studios: Shaping the Future of Indian Entertainment

AFM Return To Santa Monica November 1-6; Register Now

Pickle Cannes Location Special Edition

AI’s Looming Impact on Entertainment Industry Jobs

Pickle April NAB 2025 Issue

Chhota Bheem – A Journey Worth Every Moment

NAB SHOW 2024 – Pioneering The Global Future of M&E

Forging a UK-India Cultural Alliance at WAVES 2025

Illumination’s Minions: The Rise of Gru is the Annecy Festival Opener

Blockchain, Diversity, Virtual Reality, Artificial Intelligence – the Future in Focus at EFM

Geoff Macnaughton is the New TIFF Director of Industry Programme

Sony Pictures Network India Win Broadcast Rights for LPL

Transforming Hollywood from pixels to voxels

Pickle IFFI Goa Issue 2019

WAVES Bazaar Launches Global Push at MIPCOM 2025

NAB SHOW 2024: Innovation Challenge Winners

TIFF Announces Opening and Closing Night Films for 49th Festival

Cinema as an Art Form Will Survive: Dorothee Wenner

AVIA Elects K. Aravamudhan and Vivek Couto as New Board Directors

Shahid’s Kabir Singh Becomes Top-Grossing Film of 2019

Government to Catalyze, India’s Creative Revolution: Sanjay Jaju

Pickle October 2014 Edition

Facebook icon — Facebook ‘Acqui-Hires’ Vidpresso

Design to Play Key Role in India’s Decisive Decade of Development: Piyush Goyal

Anjali Sud and the Growth Story of Vimeo

Japan@MIPCOM CANNES: Elpis Series will be the Asian World PremiereAuto Draft

What Uday Shankar Said in CII BIG PICTURE SUMMIT 2012

First Time Ever, a Ladakhi Film “Ghar Jaisa Kuch” Opens The Non-Feature Category in 55th IFFI

10 Extraordinary Series in search of International Partners

15,000 Creator Labs to Power India’s Digital Future: Ashwini Vaishnaw

From Taj to Ajanta & Ellora 17 spots to be Developed as Iconic Tourist Destinations

Can the Creative Economy Be Our Trade Balancer?

My Hero: Bridging Cultures and Breaking Barriers in Cinema

Reels of Revolution: Regional Stories Shine at IFFI 2024

IT’S HIGH TIME CONTENT CREATORS, SALES COMPANIES GET REALISTIC

Jio Studios Will Stream Six Malayalam Films in Jio Cinema

CII Seeks Industry Status for M&E in Union Budget

10 Things you Should Know About Reliance JioGigaFiber

India @ Toronto – 6 Films by Anurag Kashyap

Pickle November American Film Market Edition

Free Speech is Sacrosanct: Uday Shankar Chairman, FICCI Media & Entertainment Committee

Qube Cinema: Choosing a Path to Innovation & Excellence

Cannes 2023: Embracing the Future of Film

CII Big Picture Summit 2014

Shooting Locales in India – Daman and Diu

Berlinale 2022: The Films Of The Competition

India at the Forefront of a Global M&E Surge

India Pavilion at Toronto International Film Market 2019

Indian Talents at Berlinale 2022

Powering up Karnataka’s Creative Economy: GAFX 2025’s Biggest Takeaways

All3Media, A+E Networks, BBC Studios, ZDF Join MIPCOM 2020 Global UPFRONTS Lineup

Waves Bazaar: A Turning Point for India’s Creative Economy

Le Musk A Brave New Front Opens at Hollywood

Pickle Berlinale Feb 26 issue

Unlocking the Future of AVGC-XR with Ashish Kulkarni

Why GAFX Matters From Event to Economic Instrument

A New Chapter in Independent Filmmaking Unfolds in Las Vegas

Pickle IFFI issue Feb 2020

Filming in India, Destinations of States

Pickle March 2026 Edition

Pickle October 2016 MIPCOM Issue

Pickle December 2018 IFFI Issue

What’s India Looking for at European Film Market

Pickle Oct 2025 Edition

Taming a boundary-less behemoth called Google

20 Work in Progress Tiltles Unveiled for Goes to Cannes

FICCI-EY Report 2021: New Rules of Engagement

Huub Roelvink Wins Inaugural EFM Distributor Award

Chef Vikas Khanna Serves Up his First Feature Film

Pickle Media Guru Amit Khanna Issue 2019

Cinema as a Bridge: Spiritual, Cultural, and Global Storytelling in Spotlight

MIPCOM to Host Red Carpet Screening of The English on Oct 16

Mukesh Ambani: India’s Not Just Soft Power, It’s Story Power

Ten Things Achieved By India At Cannes 2023

Cannes 2020 to Announce Festival Selection Lineup on June 3

Shooting Locales in India – Himachal Pradesh

Transforming Boundaries GAFX 2024’s Global Vision

Pickle Nov 2025 Edition

Vidhu Vinod Chopra’s Masterclass Lights up IFFI

New Synergies, New Possibilities Emerge at MIPCOM 2018

The official teaser of the 76th Festival de Cannes

Michelle Yeoh Receives Golden Bear as Berlinale 2026 Opens

Breaking Barriers with Multilingual Access and Inclusive Screenings

CII-Pickle Big Picture Summit 2015 issue

India at its Heart, Blockbuster Breaks Many Rules in China

Editor’s Note: 44th Toronto International Film Festival Pickle Sept 2019 Edition

WAVES, Prasar Bharati’s New Streaming Platform

India Showcases Cutting-Edge Creative-Tech Innovation and AVGC-XR Capabilities at EFM Innovation Hub 2026

Rolling With Nature: Four Countries, One Green Script

Caribbean-Asia Animation Alliance Powers Cricket IP

Cameron Bailey: The Architect of Modern TIFF

India’s First-Ever WAVES Summit to Bring M&E Industry Together on a Global Stage

Pickle Mipcom October 2023 Issue

Small Screen Comes of age to Make VIVO IPL 2018 Retention Event Grand

Pickle December IFFI 50th Year Special Report

Sameer Nair on Taking Indian Stories Global

Cannes or Netflix? Is Netflix an acceptable remediation for Cannes’ decades-long little regard for Indian Cinema?

Converting Karnataka’s Creative Technology Vision into Reality

South Korea will be MIPCOM 2020 country of honor

The Gallery of 76th Festival de Cannes 2023

Berlinale Talents To Watch Out For In 2022

NAB Show and Future Media Conferences Expand Training for Creative Professionals

Pickle September 2024 Toronto Edition

On Cannes Creativity & Cultural Continuum

100 Years of Tapan Sinha: A Filmmaker Who Lived Cinema

Anupam Kher’s Masterclass at Kala Mandir—Why ‘Giving Up Is Not a Choice’

LATAM Market Ventana Sur from November 30

I am the Success Story of my own Failures: Anupam Kher

Soon, Global Film Summit in India on the lines of World Economic Forum

Jallikattu Festival of the Untameable Spirit

Pickle November IFFI Web Edition

Rightstrade to Expand Global Reach Sponsor of AFM® 2020 Online

Empower Women, Both On-Screen and Behind the Scenes

Ubongo and Open Planet To Be Honoured With MIP SDG AWARDS In 2024

Berlinale 2022 GWFF Best First Feature Award Jury And Films

Snow Flower Blooms Across Cultures: A Tale of Siberia and Konkan Unveiled

This Side of Paradise: A Dalit Filmmaker’s Odyssey from Nanded to Stuttgart

Where Artists Feel Seen Why GAFX Means More Than a Stage

IndiaJoy Unlocking Massive AVGC Potential

AR Rahman’s Le Musk Nominated for 2023 Producers Guild of America (PGA) Innovation Award

Annecy Announces Three Feature Animation Projects for Residency

Pacific Plot: Australia, New Zealand, and India Collaborate at WAVES Film Bazaar

Virtual Pre-Cannes Screenings For Buyers Before July Physical Market

GLOBAL RRR CRAZE-TAKING THE WORLD BY STORM

National Museum of Indian Cinema Hosts Vintage Vehicles

Sasindran Seeks Collaboration On Bosnia-Based Film

DQ ENTERTAINMENT @ MIPCOM

Third Edition Of MIPCOM Diversify TV Excellence Awards Announced

Oscars 2021: Nomadland Wins Best Picture

Uday Shankar forms New Tech and Media Venture with James Murdoch

Toronto to Honor Anthony Hopkins, Chloe Zhao, and Mira Nair

Bengaluru GAFX 2025: India’s Premier AVGC-XR Event Returns with a Grand Vision

All Set for MIPCOM Cannes. 10,000 Delegates, 300 Exhibitors

IFFI 53 Highlights: 280 films, 9 Countries…

Kambala – Racing the Bulls, Running with Time

Zee Entertainment at MIPCOM for Global Partnerships

Why GAFX Must Ignite India’s Leap into New Creative Arenas

Best in 2021: E-Sports is Flourishing in Challenging Times

India’s Accessibility Guidelines Transform the Film Experience for Divyang Audiences

Steering India’s Media and Entertainment Future

Pre-Cannes Screenings Schedule Now From June 21-25

From Tokyo to Cannes: The Journey of Japan’s Most Iconic Films

Roskino to Host Russian Virtual Digital Content Market from June 8

Media & Entrtainment as Champion Sector Figures in the Economic Survey 2018-19

Netflix Crime Drama: Precision is the Craft that is on Show in Soni

Best Movies of the New Millennium Streaming Now

INDIA@BERLINALE-Indian Cinema’s Voices Emerging

India Cine Hub Pitches India to Global Filmmakers

Old Magic, New Marvels: Ram Gopal Varma’s Shiva Returns

Stage set for Cannes from July 6. Spike Lee, Cannes Jury Head

India Cine Hub Renaissance Through Incentives

Streaming Stars — A Thriving Stream of Talent

MIPTV Confirm Key Fast Players for GLOBAL FAST & AVOD Summit

Kabuliwala – Man From Kabul by Paperboat Design Studios

Reflections on the First International Film Festival of India (1952)

Rogers Becomes Presenting Sponsor of TIFF 2024

Pickle AFM November 2022 Edition

What’s Wrong With our News Media Today ?

Animation Co-Production Projects by Graphiti

33 Film Projects to Meet International Co-Producers

IFFI Honours Prasoon Joshi With Film Personality of the Year Award

Local is Global! Big Takeaway at Stories That Travel Session

AVGC Can Help Achieve $100 bn Target: K Madhavan

Reliance Industries Completes 5 per cent Acquisition in Eros International

RAVINDRA VELHAL: DRIVING MEDIA TRANSFORMATION

‘Saali Mohabbat’, a Whodunit Rooted in Emotion and Depth, Premieres at IFFI

Play Small & Live Long Did Wonders for Me

Pickle May 2018 Cannes Film Festival and Market Issue

2023 Berlinale Shorts – International Short Film Jury

2024 Co-Production Market Will be a Turning Point for Film Bazaar: Jerome Paillard

CMOT Offers a Unique Opportunity For Young Creators: Sanjay Jaju

Pickle Berlin 2020 European Film Market issue

Pickle May 2021 Edition

BidVid Slashes Ad Waste — Built in India, Ready for the World

Lighting the Way for India’s Creative Economy

Navarasa Unplugged: Vinay Kumar’s ‘Breath-Taking’ Masterclass at IFFI

Narendra Modi: Rallying a Global Creative Revolution at WAVES 2025

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WAVES 2025: A Global Convergence of Creativity and Innovation

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India is the Country of Honour at Cannes

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Reimagined TIFF With Social Distanced Screenings

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Retrospective 2019 – “Self-determined. Perspectives of Women Filmmakers”

Mishri (Name of the Main Lead meaning Sweetness)

66th National Film Awards Winners for 2018

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Digital Leads, India Redefines Media Playbook: Kevin Vaz

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M&E Continues to be a Strong Pillar of Indian Economy

Venice Immersive Lineup and Competition Announced

Decoding Augmented Intelligence Revolution in AVGC

Virtual Victory for Animation Masters Summit

How are the kids? Children’s films in the public Indian film industry

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Pickle October 2015 MIPCOM Edition

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PONDICHERRY – An Indian City with a French Twist

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2025 Will Define the Next Decade for Indian M&E

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‘Mrs.’: Arati Kadav and Sanya Malhotra Bring Empowerment to the Screen

Pickle AFM Nov Issue 2020

Jai Mata Vaishno Devi Ki & Film Mahima Mata Vaishno Devi

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15 Films Compete for Golden Peacock at #IFFI51

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Time has Finally Arrived for Indian Digital Content Creators

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A Deep Dive into India’s Content Landscape

Driving Future of Immersive Entertainment

Lessons from AFM 2018 : A Mecca for Independent Filmmakers

Berlinale’s Search For The Best Documentary

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75th Berlinale Opens with Glamour and Politics

Unlocking Innovation Through Industry Insights

India’s biggest M&E Policy Push: NCoE for AVGC-XR is Real Now

AVGC transforming India into a ‘digital engine room’

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27 Rishi Kapoor Films to Stream at Home Now

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Action Movies Where Fantasy Meets Fortune

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93-year-old Spanish film Icon Carlos Saura honoured with Satyajit Ray Lifetime Achievement award at IFFI 53

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A bold and Unflinching Look at a society in Strife

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The $12,500 Camera: Indian Cinema’s New Secret Weapon

Indian Cinema’s Steady Rise on Global Stage

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India Strengthening Global Footprint as a Content Hub

India’s M&E Sector: A Creative Renaissance on the Horizon

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WAVES 2025: India’s Bold Step Towards M&E Global Leadership

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Dhurandhar’s ₹253 Cr Box Office Magic: Indian Cinema Just Got a Plot Twist

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The Constant Truth in an Ever Evolving Content Business

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